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Showing posts with label Gauguin. Show all posts
Showing posts with label Gauguin. Show all posts

Tuesday, October 16, 2012

Art heist in Rotterdam.

Stolen: Pablo Picasso’s 1971 “Harlequin Head”; Claude Monet’s 1901 “Waterloo Bridge, London” and “Charing Cross Bridge, London”; Henri Matisse’s 1919 “Reading Girl in White and Yellow”; Paul Gauguin’s 1898 “Girl in Front of Open Window”; Meyer de Haan’s “Self-Portrait,” around 1890, and Lucian Freud’s 2002 work “Woman with Eyes Closed.”
Marinello said the thieves have limited options available, such as seeking a ransom from the owners, the museum or the insurers. They could conceivably sell the paintings in the criminal market too, though any sale would likely be a small fraction of their potential auction value.
The problem selling these things is obviously not protection enough to keep thieves from bothering.



IN THE COMMENTS: chickelit said:
From the link: the idea that an unscrupulous private investor might have commissioned the works’ theft was far-fetched. 'That’s something that comes from Hollywood movies,' he said.

Should they blame a Hollywood video or lax security?

Friday, February 17, 2012

"In no scenes were these maidens seen navigating the oozing bits of Gauguin's body, but once you know even a little about him, you find that he is just so vividly, eye-catchingly gross."

"If you flay him as a historical figure and lay him out on a table, you find a maggoty cross section of the monster the postcolonial 20th century became, presided over by whiny, violent, and jaw-droppingly self-centered white dudes. One of the direct effects of the century of French colonization that preceded Gauguin's arrival—whose effects he loudly decried both in his writings and in his paintings—was the decimation of the population from causes including diseases like the one he brought into the bedroom of his final girlfriend."

Jen Graves emotes about art.

Monday, May 4, 2009

"Van Gogh's ear was cut off by friend Gauguin with a sword."

Hot news.
Although the historians [Hans Kaufmann and Rita Wildegans] provide no "smoking gun" to back up their claims, they argue theirs is the most logical interpretation, and explains why in his final recorded words to Gauguin, Van Gogh writes: "You are quiet, I will be, too".

They cite correspondence between Vincent and his brother, Theo, in which the painter hints at what happened without directly breaking the "pact of silence" made with his estranged friend.

He mentions Gauguin's request to recover his fencing mask and gloves from Arles, but not the épée....

He also pointed to one of Van Gogh's sketches of an ear, with the word "ictus" – the Latin term used in fencing to mean a hit. The authors believe that curious zigzags above the ear represent Gauguin's Zoro-like sword-stroke.
Yeah, well, Gauguin was such a jerk to Van Gogh. Just look: