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Showing posts with label China. Show all posts
Showing posts with label China. Show all posts

Saturday, February 9, 2013

"The conventional view of Chinese history is that of alternating periods of political unity and disunity..."

"... with China occasionally being dominated by steppe peoples, most of whom were in turn assimilated into the Han Chinese population. Cultural and political influences from many parts of Asia, carried by successive waves of immigration, expansion, and cultural assimilation, are part of the modern culture of China."

Today's "History of" country is China, a country with so much history, it makes my "History of" project — in which we go in alphabetical order and read the Wikipedia page for the "History of" each of the 206 countries in the world — more absurd than usual. I've devised a few strategies for getting through these posts. Maybe go for the picture that appeals to me....



I could pick a sentence or so that seems to embody as much of the story as possible (above) or pull something out that seems distant and strange yet compelling...
In the 8th century BC, power became decentralized during the Spring and Autumn period, named after the influential Spring and Autumn Annals.... The Spring and Autumn Period is marked by a falling apart of the central Zhou power. In each of the hundreds of states that eventually arose, local strongmen held most of the political power and continued their subservience to the Zhou kings in name only. Some local leaders even started using royal titles for themselves. China now consisted of hundreds of states, some of them only as large as a village with a fort.

The Hundred Schools of Thought of Chinese philosophy blossomed during this period, and such influential intellectual movements as Confucianism, Taoism, Legalism and Mohism were founded, partly in response to the changing political world.
There are other strategies....

Saturday, December 15, 2012

"It’s high time we demolish this unconstitutional and abusive system that violates basic human rights, fuels instability and smears the government’s image."

An end to China's system of re-education-through-work camps?
Liu Jie, 60, a former business executive from Heilongjiang Province, served a two-year sentence for “disturbing social order,” punishment for releasing a public letter demanding political and legal reform. She described how roughneck inmates violently imposed the guards’ will in return for reduced sentences. One particular thrashing cost her several front teeth and left her temporarily blind in one eye.

When she complained about dizziness from the paint used to make paper lanterns, Ms. Liu said, she was hogtied to a chair for a week, a dreaded punishment known as the “tiger bench.” Deprived of food and water for several days, she said, she repeatedly lost consciousness. “When they unshackled me from the chair, my legs had turned black with bruises.”

In a 2009 report, Chinese Human Rights Defenders documented what it called a “hotbed of injustice,” with inmates sometimes working 20-hour days to produce chopsticks, firecrackers, cardboard boxes or handbags.

Wednesday, August 1, 2012

"Culture Does Matter," writes Mitt Romney.

In National Review, pushing back efforts to make it seem racist to say that nations prosper when their culture has certain qualities that Israel has and the Palestinians lack.
But what exactly accounts for prosperity if not culture? In the case of the United States, it is a particular kind of culture that has made us the greatest economic power in the history of the earth. Many significant features come to mind: our work ethic, our appreciation for education, our willingness to take risks, our commitment to honor and oath, our family orientation, our devotion to a purpose greater than ourselves, our patriotism. But one feature of our culture that propels the American economy stands out above all others: freedom. The American economy is fueled by freedom. Free people and their free enterprises are what drive our economic vitality.
But what exactly accounts for prosperity if not culture? is a clever question that provides leverage for arguing — not that he argues it — that if you don't think it's culture, you must think it's some inborn biological factor. That is: If you don't agree that it's culture, you could be a racist.

(And yes, I realize that inference will be resisted with the argument that the economically unsuccessful places are oppressed by other countries, Israel is oppressing the Palestinians, etc. etc.)

ADDED: This is related, from Stephen Moore's tribute to Milton Friedman (who was born 100 years ago yesterday):
Once in the early 1960s, Friedman wrote the then-U.S. ambassador to New Delhi, John Kenneth Galbraith, that he would be lecturing in India. By all means come, the witty but often wrong Galbraith replied: "I can think of nowhere your free-market ideas can do less harm than in India." As fate would have it, India did begin to embrace Friedmanism in the 1990s, and the economy began to soar. China finally caught on too.

Friday, July 20, 2012

Wednesday, June 20, 2012

"When we dug down to about 80 meters deep, we fished out this long, fleshy object. It’s got a nose and an eye, but we have no idea what it is!"

Great moments in Chinese television.
“As we can all see, this looks like a type of fungus, on both ends of which you’ll find mushroom heads. On this side, you can see what looks like a pair of lips... The object looks very shiny, and it feels really fleshy and meaty, too”...

Friday, June 15, 2012

"Feng was not forced to abort... A lot of us tried for days to educate her. She agreed to the abortion herself."

China's one-child policy.

ADDED: In The New Yorker:
China convulsed this week around the story of Feng Jianmei, a twenty-three-year-old expectant mother, who was escorted from a relative’s home in Shaanxi province by local family-planning officials, shoved into a van, and driven to a hospital. She was blindfolded and given a document to sign. It didn’t matter that she couldn’t see it; she knew why she was there. She had violated the one-child policy. Two shots were injected into her belly, and on the morning of June 4th she gave birth to a stillborn baby girl.

Afterward, while she lay on a metal-framed hospital bed, her sister took a devastating (and, be warned, graphic) photo: mother, beside the bloodied remains of her daughter. It electrified the country. By Thursday night, the topic had attracted a million comments on Weibo, the Chinese Twitter, and rage was mounting. China’s family-planning system has been “openly killing people for years in the name of national policy,” a commenter wrote on Clubkdnet.net. “What is wrong with society?” Li Chengpeng, a widely followed commentator, wrote, “A seven-month baby can think already. I want to ask the murderer, how do you face your own mother when you go home? If this evil policy is not stopped, this country will have no humanity.”...

Wednesday, June 13, 2012

The theme of the opening ceremony for the London Olympics is "green and pleasant."

We will see a representation of "the mythical British countryside: meadows, maypoles, picnicking families, toiling farmers, cricketers on the village green. There will be twelve horses and three sheepdogs. There will be Elgar, and the world’s largest harmonized bell, inscribed with the line 'Be not afeard, the isle is full of noises,' from 'The Tempest.'"

It will be — by design — quite the contrast to the big show they did in Beijing back in 2003.  It will be "a bit warmer, and more inclusive, and more involving."

What do you think of the "green and pleasant" approach?
  
pollcode.com free polls 

Monday, June 11, 2012

"I think art is a very important weapon to achieve human freedom."

"Freedom of expression is a very essential condition for me to make any art. Also, it is an essential value for my life. I have to protect this right and also to fight for the possibility.... [P]eople in office just try to maintain so-called stability to protect their own profit, or their own interest. They have to crush other voices. There’s no real communication or discussion.”

Said Ai Weiwei.

Thursday, May 24, 2012

"It's certain the woman was not dead when buried."

Say Chinese police, in the case of a couple accused of hitting an elderly woman and then burying the (not dead) body.

Saturday, May 5, 2012

Photos of the Kowloon Walled City.

It's hard to believe this place was real. It's so much like sets from a fascinating dystopian movie.

Saturday, March 31, 2012

Crackdown on blog commenting.

In China:
The moves are among the most dramatic censorship efforts undertaken by Beijing since the rise over the past two years of the popular microblogging services, known in China as weibo. They allow the fast dissemination of information, challenging the central government's traditional control of the media....

With the commenting services suspended, users may interact only by republishing others' posts and adding their own words. "Can I say a curse word? No? Then I've got nothing to say," quipped one user on Sina Weibo using the name Wiyu Chuzhi, apparently referencing a popular Chinese Internet joke about unhappiness over rising gasoline prices.
I wonder what all the catchphrases and running jokes and allusions are in China.

Can I say a curse word? No? Then I've got nothing to say.

Monday, March 19, 2012

"Making people care" — Mike Daisey's justification for folding fake drama into a more or less true story.

David Carr analyzes the theater/journalism borderline, looking at Daisey's "The Agony and the Ecstasy of Steve Jobs" (the subject of this week's "Retraction" on "This American Life") and "Kony 2012" (the viral video whose producer, Jason Russell, was found, last Friday, naked and ranting on the streets of San Diego). Daisey says he "was terrified" that if he "untied" the fake parts of his theater monologue (to meet the standards of "This American Life") that "the work, that I know is really good, and tells a story, that does these really great things for making people care... would come apart in a way where, where it would ruin everything."

I listened to the "Retraction" episode of "This American Life," and was captivated and repulsed by the replays of the "The Agony and the Ecstasy," with Daisey's heavy-handed phrasing and gulping passionate voice. He injects Apple is eeeevvvilll directly into the theatergoer's brain. You hear the audience reaction and feel them in his manipulative hands. This is art! But it's journalism too. All you have to do is say it has fictionalized elements, and you're in the powerful realm of "Uncle Tom's Cabin" and "The Jungle."

Carr says:
I am a longtime fan of “This American Life,” but I have never assumed that every story I heard was literally true. The writer and monologist David Sedaris frequently tells wonderful personal yarns on the show that may not be precisely true in every detail....
Yes, what exactly is the difference between Sedaris and what Daisey did? One is humor and the other drama? But both humor and drama employ exaggerations, composites, and invention. One is only trying to entertain and the other is trying to incite political action? That's more like it. One is an author telling stories on himself (and his friends and family) and the other has identified a target and intends a vicious attack that will cause real harm. That matters.

Now, Daisey stresses the victims of his victim: the workers in China, the people he made the audience care about by making up dramatic scenes that, it turns out, never happened, like the man with a hand that was mangled making an iPad who gets to touch, with that mangled hand, a finished iPad, and he strokes it and calls it "magical." This is a version of what is the classic melodramatic encapsulation of the plight of the factory worker: He labors over the creation of a product that he can never own.

Carr — writing in the NYT — turns to the NYT journalists who published a series of articles "investigating Apple’s suppliers... that may have contained a bit less drama, but landed hard." I presume these articles are accurate, but how do I know? Carr anticipates the reader's skepticism about the trustworthiness of professional journalists (who can't make the I'm-an-artist defense when they are caught faking). He ends his article with a coy reference to "an e-mail to someone I know who is an expert on journalistic malfeasance [askins] if, in a complicated informational age, there was a way to make sure that someone telling an important story had the actual goods." We get a quote from this character, a quote that's only worth quoting to get to the revelation that it's Jayson Blair. Somehow the NYT expects you to remember who Blair is... or they're hoping we've forgotten.

I put that link on Blair's name. It's not in Carr's article — and it's even a link to the NYT. Blair's articles seemed so good because they included vivid details that extracted empathy from the reader:
Some of Mr. Blair's articles in recent months provide vivid descriptions of scenes that often occurred in the privacy of people's homes but that, travel records and interviews show, Mr. Blair could not have witnessed.

On March 24, for example, he filed an article with the dateline Hunt Valley, Md., in which he described an anxious mother and father, Martha and Michael Gardner, awaiting word on their son, Michael Gardner II, a Marine scout then in Iraq.

Mr. Blair described Mrs. Gardner ''turning swiftly in her chair to listen to an anchor report of a Marine unit''; he also wrote about the red, white and blue pansies in her front yard. In an interview last week, Mrs. Gardner said Mr. Blair had spoken to her only by phone.
Why lie about pansies? Red, white and blue pansies. To make you care. You can't be relied upon to care based on journalistic facts alone. Those who would manipulate your political opinions know they need to pull at your heart. They give you flowers. They give you an old man with a shaking, mangled hand.

From the "This American Life" transcript (boldface added):
Mike Daisey: And everything I have done in making this monologue for the theater has been toward that end – to make people care. I’m not going to say that I didn’t take a few shortcuts in my passion to be heard. But I stand behind the work. My mistake, the mistake that I truly regret is that I had it on your show as journalism and it’s not journalism. It’s theater. I use the tools of theater and memoir to achieve its dramatic arc and of that arc and of that work I am very proud because I think it made you care, Ira, and I think it made you want to delve. And my hope is that it makes – has made — other people delve....

And I stand by it as a theatrical work. I stand by how it makes people see and care about the situation that’s happening there. I stand by it in the theater. And I regret, deeply, that it was put into this context on your show.
Make people care. This is the what we are exposed to when we encounter text. An author is trying to make you care. And maybe you feel that upwelling of caring — empathy... ah, the twinges of humanity. Aren't you a good person to surrender to the injection of caring about the thing you've been manipulated into caring about?

Make people care. May I suggest that you shift your focus from "care" to "make"? Someone is trying to make you feel/think what they want you to feel/think. They'd like you to directly internalize the viewpoint they have chosen and do not want to try to prove on facts and reason alone. Resist!

There. Was that dramatic enough to make you care about resisting the writers who are out to make you care?

Sunday, January 22, 2012

Why Apple took its jobs overseas and — as Steve Jobs told Barack Obama — "Those jobs aren’t coming back."

A long article in the NYT.
Apple executives say that going overseas, at this point, is their only option. One former executive described how the company relied upon a Chinese factory to revamp iPhone manufacturing just weeks before the device was due on shelves. Apple had redesigned the iPhone’s screen at the last minute, forcing an assembly line overhaul. New screens began arriving at the plant near midnight.

A foreman immediately roused 8,000 workers inside the company’s dormitories, according to the executive. Each employee was given a biscuit and a cup of tea, guided to a workstation and within half an hour started a 12-hour shift fitting glass screens into beveled frames. Within 96 hours, the plant was producing over 10,000 iPhones a day.

“The speed and flexibility is breathtaking,” the executive said. “There’s no American plant that can match that.”
They're hungrier... and you can fuel them with biscuits. And that's why we have iPhones with beautiful glass — not plastic — screens. Steve Jobs wanted them "perfect" and "in six weeks," and that meant: China.
The facility has 230,000 employees, many working six days a week, often spending up to 12 hours a day at the plant. Over a quarter of Foxconn’s work force lives in company barracks and many workers earn less than $17 a day....

“They could hire 3,000 people overnight,” said Jennifer Rigoni, who was Apple’s worldwide supply demand manager until 2010, but declined to discuss specifics of her work. “What U.S. plant can find 3,000 people overnight and convince them to live in dorms?”

Saturday, December 17, 2011

"China is known for its fake Apple stores, fake Starbucks, and fake practically everything else."

"In this instance, it would seem that Mayor Wang is determined to make his English castle town a consummate fake."
Beijing's suburban Miyun County is going to build a large European-style town within five years and no one will be allowed to speak Chinese there, said the county mayor.

Wang Haichen said a local village would be turned into a 67-hectare English castle with 16 courtyards of unique houses. It will offer visitors souvenir passports and ban Chinese speaking to create the illusion of being abroad....
Is this absurd fakery or the wave of the future? Why do we subject ourselves to the rigors of travel to faraway places? Perhaps the real question is: Why even build the fake village? It's nearly possible...



There's also the idea of not having the experience at all, just getting a false memory of a vacation injected into your brain. That was Philip K. Dick's idea in "We Can Remember It For You Wholesale":
I will go, he said to himself. Before I die I’ll see Mars.

It was, of course, impossible, and he knew this even as he dreamed. But the daylight, the mundane noise of his wife now brushing her hair before the bedroom mirror – everything conspired to remind him of what he was. A miserable little salaried employee, he said to himself with bitterness.
The story is only 17-pages long — read it in this book — so it's a lot faster than that Arnold Schwarzenegger movie, but perhaps, in the future, we'll have Arnold Schwarzenegger movies injected directly into our brains....
We can't let him run around. He knows too much.

Friday, December 16, 2011

Why is NPR celebrating a man who practices and promotes child-beating?

"I have more than a thousand rules: specific detailed rules about how how to sleep, how to cover yourself with a quilt... If you don't follow the rules, then I must beat you."

So says a man who is celebrated on NPR. 
For each violation of the rules, such as sleeping in the wrong position, the penalty is to be hit with a feather duster on the legs or the palm of the hand. If it doesn't leave a mark, then it won't make an impact, Xiao [Baiyou] says....

Xiao's method involved all of the children watching each punishment. Any transgression of the rules by a younger sibling would also earn a beating for the older siblings, for failing to be a good model. Despite the sometimes daily beatings, Xiao sees himself as the best dad in the world and repeatedly claims his unorthodox methods "have no shortcomings."...

"In China, beating kids is part of their upbringing. It's not violence. It's not against the law," he says. "If this kind of beating is legal, scientific and in the interests of the kids, then fine. I'm all for beating, since it's effective."
Why does NPR present this man in a positive light? I'm not quite sure. Maybe because he's Chinese. Cultural relativism... a cloak of "diversity" makes everything look charming (on NPR).  Maybe because his technique got 4 kids into his country's most prestigious university. NPR listeners cream over that "top school" business. Maybe because "Tiger Mom" was a popular cultural figure last spring, so the male version — called "Wolf Dad" — seemed like another audience pleaser. Maybe because, deep down, NPR listeners really do love corporal punishment, and all these stories about rescuing kids (American kids) from even mild forms of "bullying"  — which NPR runs all the time — have begun to cloy.