"I never thought I would go to college. Never! I’m a voracious reader, but I hated school."

"I was waiting to get out of school so my life could start. I spent my childhood backstage and on movie sets, and knew I wanted to spend my life there. Any second longer I had to spend in a classroom — f--k that!"

From an interview with the actress Zosia Mamet (daughter of David Mamet, who is, by the way, "a great man and a very good dad"). A glimpse of opinion:

[My father] told me I needed to clean up my mouth or I’d never find a man. What’s very important to him is manners. Show up on time. Always send thank-you letters. He is one of the more thoughtful humans I’ve ever met.

A year ago you spoke about how you hated dating — that you’d rather read a good book.

There are some really damn good books out there, you know? I think feminism’s a bit misinterpreted. It was about casting off all gender roles. There’s nothing wrong with a man holding a door open for a girl. But we sort of threw away all the rules, so everybody’s confused. And dating becomes a sloppy, uncomfortable, unpleasant thing.

The actor Joseph Gordon-Levitt confronts his paparazzi.

Via Metafilter.

I love when the one paparazzi guy tries to explain himself by citing "La Dolce Vita" — the movie where the term "paparazzi" originates — but then he can't think of the director's name and the actor says "Fellini."

By the way, I love "La Dolce Vita." Remember that time FireDogLake attempted to insult me by saying "Every time I look in over there, something so weird is going on that I feel like I just bumbled on to the set of a Fellini film" and I was all...



And remember "I don't want an egg at this hour."









(Note: The man in the backseat is the character named Paparazzo.)

"Rehearsals sap my pep... tell me what I have to do and I'll do it."

Said the actress Clara Bow (in 1929), who did it like this:



... in "Kittens" (1926). And this:



... in "Wings" (1927), which was the first movie to win the "Best Picture" Oscar. Bow said it was "a man's picture and I'm just the whipped cream on top of the pie." When Bow was criticized for her bohemian ways and "dreadful" manners, she said :

"They yell at me to be dignified. But what are the dignified people like? The people who are held up as examples of me? They are snobs. Frightful snobs... I'm a curiosity in Hollywood. I'm a big freak, because I'm myself!"

In 1931, when she was 26, she got married and retired from acting. She moved to a ranch in Nevada, and lived until 1965.

I'm reading about her this morning, after clicking to her Wikipedia page from the Wikipedia page "Pin-up girl," which has a list of "Notable pin-up girls" sorted by decades, beginning with the 1920s. I was researching the topic of pin-up girls after Meade called attention to this current ad:



We had a conversation about the nature of 1950s pin-up style, and it got me looking for the classic Betty Grable pin-up, which I think it emulates — peeking back over a raising shoulder and smiling as if to say Go ahead and look at my ass. Grable's pic is the one pic that appears on the Wikipidea "Pin-up girl" page, but I was interested in seeing the first pin-up, and the first couple names on the 1920s list didn't click through to a pin-up style picture. Clara Bow's did. If you count this:



Tell me what I have to do and I'll do it. She's only 15 there. Can you just hear the photographer directing her how to arrange her fingers and where to move her shoulder and even her eyeballs?

"Acting requires some intentionality on the part of the actor, some conscious effort to adopt a persona other than his or her own."

"Even adult actors who get criticized for 'playing themselves' are engaged in a series of more or less conscious decisions about how best to be themselves onscreen."

A young child, meanwhile, likely isn't thinking at all about how to be herself, let alone a character. She's a kid, and she just "is." This is, of course, a big part of what we're responding to when we watch Wallis: her innocence and her lack of self-consciousness. She feels genuine precisely because she's incapable of being otherwise.

From an article in The Atlantic a month ago titled "Sorry, Quvenzhané Wallis, but Best Actress Oscar Nods Are for Big Kids."

This morning, Quvenzhané Wallis got that Best Actress Oscar nod.

I loathe movies that exploit our instinctive urge to protect and care for children. The child is automatically that sweet and innocent character, whom the author sadistically torments for our sick pleasure.

Al Pacino avoided meeting Phil Spector, whom he's portraying in an HBO movie.

"It would have been meeting a different person. Now he’s been convicted and he’s in prison. I play him before his first trial."

After doing the film role, said Pacino, he didn’t feel he knew Spector much better – but that it didn’t matter, because his job was to explore the film character, not the real-life person.

“The play’s the thing,” said Pacino. “I was looking for the truth of the drama.”

It's not an impersonation, but something much deeper.  Or that's the PR for the HBO movie. Maybe it's a preemptive defense against the criticism that he doesn't seem like Spector at all.

ADDED: In other HBO celebrity impersonation news:

HBO’s new Liberace biopic was “too gay” for every studio in Hollywood, director Steven Soderbergh says.

What big name actor will be probing the depths of the truth of the drama of Liberace? Matt Damon? No. Damon's playing Liberace's younger lover. Liberace will be... Michael Douglas!

Aw, give me a break. The studios turned down this movie because it was (whine) too gay? It's obviously insufficiently commercial.

Promos of the film screened for TV critic in Los Angeles yesterday contain numerous scenes of the two male stars shirtless and about to kiss.

No one wants to see that. It's not anti-gay to say I don't want to see that. Who wants to see Michael Douglas shirtless and about to... do anything?

Jack Klugman has died.

At the age of 90. You probably think of "The Odd Couple" or, maybe "Quincy," but here he is in a 1960 episode of "The Twilight Zone," called "A Passage for Trumpet":

"And as I get older, I like [flying] less and less. I don't much like driving either. I prefer to be driven."

"And, when I'm in London, I don't even like walking on the street. I can never get used to looking the right way when I cross the street. When we're over there, I always say to my wife, 'Stay in the hotel. Don't go out there. It's too dangerous.'"

Says Christopher Walken, who'd like you to know that he's not the creepy guy he always seems to be in his movies. He's  "a regular guy. I stay home a lot, I make an effort to keep a distance from the whole social thing, the openings, the parties. I try to live in a calm way."

I can see why a fearful, avoidant sort of person could manifest as oddball on screen.

How has he survived in the cut-throat, hyper-ambitious world of Hollywood? "Well, you know, I've always found it to be an honest place. They either want you for a role or they don't. It's pretty simple. People talk about Hollywood being this place where you can never get straight answers, but my experience is the opposite. If they don't want you, it's very clear."

What's the worst thing about his job? "Learning lines, for sure. I don't know how people learn their lines quickly. It's always been a tedious, agonising chore for me. I hate it. It takes me ages to know my lines. I just wish I could do movies with cue cards. That way, it's easy. Not lazy, but easy. You know what? I wish I could live my whole life with cue cards. I really do."

Maybe what we're perceiving as odd is his struggle to recall the lines. As for cue cards: 1. Marlon Brando used cue cards, and 2. What's that quote? Life is a play for which there is no rehearsal and only one performance. Something like that. Or am I merging 2 or 3 famous quotes?

"Even though it’s my job to be an actor, I have given my life to God."

"I am very comfortable and firm in that, but I still have to be on this show. It’s the No. 1 comedy, but it’s very inappropriate and the themes are very inappropriate. I have to be this person I am not."

The continuing struggles of 19-year-old Angus T. Jones, of "Two and a Half Men," the show he called "filth" and urged people not to watch, remarks he now apologizes for if they "reflect me showing indifference to and disrespect of my colleagues and a lack of appreciation of the extraordinary opportunity of which I have been blessed."

The voice of Crusader Rabbit and Smurfette...

... Lucille Bliss has died at the age of 96. She was also Elroy on "The Jetsons."

But her groundbreaking role was in the original "Crusader Rabbit," the first animated series produced specifically for television. Its first incarnation ran on NBC from 1950 to 1952 and was co-created by Jay Ward, who went on to produce such notable franchises as Rocky and Bullwinkle and Dudley Do-Right.

"She was a pioneer in television animation," said Charles Solomon, an author and animation historian. Crusader Rabbit "really set a pattern for a lot of future shows — the smart little character and the big dumb sidekick."

Daniel Day-Lewis voices Lincoln with "a high-pitched, wavering tone that has been likened to both a 14-year-old boy and Mr Burns."

People are complaining... but they're complaining about historical accuracy!

Harold Holzer, a Lincoln scholar, told CBS News: “Lincoln died long before audio recording was possible so we have no hints about what he really sounded like, except the reminiscences of his contemporaries. The most frequent things we read are that he had a nasal, high voice that somehow miraculously floated over large crowds.”

Day-Lewis said "said the voice materialised 'in my mind’s ear'" and "If I hear a voice, I tend to believe that I hear it for good reason.”

Here's a new trailer, including some of Day-Lewis's vocalizations. I don't have a problem with the presumably historically grounded high-pitched voice. But what's the point of going realistic about the sound of Lincoln's voice when everything else about the movie seems all theatrical and pretentious, including the lines Day-Lewis must speak with that voice? "I am the President of the United States clothed with enormous power!"

"On my wedding day, I’m like freaking out, obviously. ‘You’ve got to give me a character.'"

And fashion designer John Galliano said to Kate Moss: "You have a secret — you are the last of the English roses. Hide under that veil. When he lifts it, he’s going to see your wanton past!'"

"He’s the president of the United States. You don’t say, 'You’ll get your chance.'"

"I don’t think [Romney] understands the Constitution of the United States," fretted Chris Matthews, analyzing the second debate performance with James Lipton, the "Inside the Actor’s Studio" guy.

Why not have an acting expert analyze the performances? It is theater, isn't it? And, if it's theater, how does Obama play the role of the President, and how does Romney play the role of The Man Who Would Be President, speaking to the man who is President? How to embody presidentialness, when presidentiality currently resides in that other man, who's treading the boards with you?

I don't know why Matthews dragged in some half-assed law stuff when he had the acting expert there. Bring on a law professor if you want to do that.

"I never knew I’d be on TV as a gay man, but I love the pictures of hairy chests that you’re sending me."

Said Eric Stonestreet, who just won an Emmy for best actor in a comedy for "Modern Family," which I've never seen, but I'd heard of Stonestreet, because I indulge in the guilty pleasure of reading The Daily Mail, and it had pictures of the beautiful actress Charlize Theron purportedly in a relationship with this man. She's "said to have fallen" for him. Okay. Looks aren't everything.

If Jason Biggs were an important actor...

... it might matter that he tweeted this. But presumably, his career means something to him, so it's interesting to see that Hollywood is a place where a person could think that stuff like this is appreciated.

It's not, is it?

"Just as the Russian aristocracy of the 19th century could be described as living upon a stage, our story unfolds in a dilapidated theatre."

"We shot almost all of the film in this single location, over 100 sets were built within the theater, creating a kind of fluid linearity. You can walk from one house under the stage, straight onto the horse-training ground, or go through a door and there's a Russian landscape."

The important-film packaging for "Anna Karenina" includes a 6-minute clip.

Does Keira Knightley seem like Anna Karenina? We're also getting a "Great Gatsby" this fall, and we'll be invited to contemplate whether Carey Mulligan seems like Daisy? I'm going to go out a limb and predict that Carey Mulligan is more like Daisy than Keira Knightley is like Anna Karenina.

"In A World Where..."

"... One Teen's Voice Is An Internet Hit."

"'I’m still in love with Edie,' says James Gandolfini of Edie Falco, the woman who played his television wife, Carmela..."

Remembering "The Sopranos":

“Of course, I love my wife, but I’m in love with Edie. I don’t know if I’m in love with Carmela or Edie or both. I’m in love with her.” Falco reveals a similar possessiveness over her HBO-wedded husband. “It was weird to sit down at a table read with the actresses playing Tony’s girlfriends. Occasionally I would get a sharp twinge at the back of my neck,” she recalls. “I’d have to kind of keep my bearings and remember, No, no, no, this is your job, and at home you have your life. Even years later, I remember when I saw Jim in God of Carnage on Broadway, and he was Marcia Gay Harden’s husband, and I had this ‘How come I have to be O.K. with this?’ kind of feeling.”

30 lawyers each pick a book that every lawyer should read, and Dr. Kevorkian's lawyer, Geoffrey Fieger, picks...

... "The Little Prince"!

“The Little Prince connects you with your own being so you’re looking inward rather than outward. When you really get down to trial work there isn’t a mechanism where you learn tricks for convincing people of something you really don’t believe. It all has to come from inside you and requires self-examination. I don’t think it has relevance for lawyers doing transactions or mergers and acquisitions. It does have relevance for those who seek to do what I do, which is trial law.”

A somewhat similar perspective comes from Sam Adam Jr. (who represented Governor Blagojevich at trial):

“Respect For Acting [by Uta Hagen] taught me how to look inside yourself and bring out those things that other people see, or want to see, to take a look at a character and understand who that character is in order to become that person. That’s what a whole lot of trials are about—preconceived notions about who you are, and who your client is. You can quickly sum up who the audience wants you to be.”

There are a lot of different ways to look inside yourself. Interesting to think about the lawyerly ways. 

Today's stars and the Hollywood icons they resemble.

12 striking examples. Is any new star as fascinating to look at as the icon he/she reminds us of?

"Shut up, you old bag!"

"Frances Bay, Actress Known for ‘Old Lady’ Roles, Dies at 92."