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Showing posts with label Paris. Show all posts
Showing posts with label Paris. Show all posts

Saturday, December 17, 2011

The House of Fallen Timbers...

... a small log cabin that David Lottes built from the dead trees that were cluttering up his 4-acree wood.

The blog-saga begins here.

ADDED: 2 good quotes in that blog's sidebar:
“Socialism never took root in America because the poor see themselves not as an exploited proletariat, but as temporarily embarrassed millionaires.” — John Steinbeck

"The secret of being a bore is to tell everything." - Voltaire
The Steinbeck quote reminds me of this essay by Larry Kaufmann: "The Occupy movement has it all wrong: Income mobility proves that the American dream is still alive." ("No one can change the past, so it's pointless to worry about what others have earned (or saved and turned into wealth) in previous years.")

The Voltaire quote seems like the theory behind Nina Camic's blog. She's in Paris now, after her pilgrimage to Warsaw. ("I’ve stopped speaking Polish for good... I became an immigrant without at least initially intending to be that....")

AND: Thinking of tiny houses and OWS encampments and prompted by Sofa King in the comments — Does he have all the permits for building that? — I went looking for this:
However, if one designs to construct a dwelling-house, it behooves him to exercise a little Yankee shrewdness, lest after all he find himself in a workhouse, a labyrinth without a clue, a museum, an almshouse, a prison, or a splendid mausoleum instead. Consider first how slight a shelter is absolutely necessary.
I have seen Penobscot Indians, in this town, living in tents of thin cotton cloth, while the snow was nearly a foot deep around them, and I thought that they would be glad to have it deeper to keep out the wind. Formerly, when how to get my living honestly, with freedom left for my proper pursuits, was a question which vexed me even more than it does now, for unfortunately I am become somewhat callous, I used to see a large box by the railroad, six feet long by three wide, in which the laborers locked up their tools at night; and it suggested to me that every man who was hard pushed might get such a one for a dollar, and, having bored a few auger holes in it, to admit the air at least, get into it when it rained and at night, and hook down the lid, and so have freedom in his love, and in his soul be free. This did not appear the worst, nor by any means a despicable alternative. You could sit up as late as you pleased, and, whenever you got up, go abroad without any landlord or house-lord dogging you for rent. Many a man is harassed to death to pay the rent of a larger and more luxurious box who would not have frozen to death in such a box as this. I am far from jesting... 
Near the end of March, 1845, I borrowed an axe and went down to the woods by Walden Pond, nearest to where I intended to build my house, and began to cut down some tall, arrowy white pines, still in their youth, for timber.... It was a pleasant hillside where I worked, covered with pine woods, through which I looked out on the pond, and a small open field in the woods where pines and hickories were springing up....
I hewed the main timbers six inches square, most of the studs on two sides only, and the rafters and floor timbers on one side, leaving the rest of the bark on, so that they were just as straight and much stronger than sawed ones....
I have thus a tight shingled and plastered house, ten feet wide by fifteen long, and eight-feet posts, with a garret and a closet, a large window on each side, two trap-doors, one door at the end, and a brick fireplace opposite. The exact cost of my house... $ 28.12 1/2.

Friday, September 2, 2011

"Large numbers of Parisians could not see the point of placing an enormous functionless derrick in the middle of the city."

Writes Bill Bryson, in "At Home: A Short History of Private Life":
The Eiffel Tower wasn’t just the largest thing that anyone had ever proposed to build, it was the largest completely useless thing. It wasn’t a palace or burial chamber or place of worship. It didn’t even commemorate a fallen hero. Eiffel gamely insisted that his tower would have many practical applications—that it would make a terrific military lookout and that one could do useful aeronautical and meteorological experiments from its upper reaches—but eventually even he admitted that mostly he wished to build it simply for the slightly strange pleasure of making something really quite enormous. Many people loathed it, especially artists and intellectuals. A group of notables that included Alexandre Dumas, Émile Zola, Paul Verlaine, and Guy de Maupassant submitted a long, rather overexcited letter protesting at “the deflowering of Paris” and arguing that “when foreigners come to see our exhibition they will cry out in astonishment, ‘What! This is the atrocity which the French have created to give us an idea of their boasted taste!’ ” The Eiffel Tower, they continued, was “the grotesque, mercenary invention of a machine builder.” Eiffel accepted the insults with cheerful equanimity and merely pointed out that one of the outraged signatories of the petition, the architect Charles Garnier, was in fact a member of the commission that had approved the tower in the first place.
Do large useless things bother you?

ADDED: If you're wondering what got me to post about the Eiffel Tower, it was this.

Sunday, June 14, 2009

Gender difference feels good in Paris.

Nina says:
[A]t least in Paris (in my opinion), women of all shapes and sizes and importantly, of all ages, seem to understand their beauty and valor, their unique beauty and their unique valor. They walk with pride (and so I, too, walk with pride). As if they know they’re being watched, admired, respected. For what they bring to the table.
Read the whole thing to get the hang of the argument, which is made impressionistically, with pictures interspersed. I especially like this one:


DSC03958_2, originally uploaded by Nina Camic.

You don't normally see faces all lined up nicely like that in real life. In movie posters you see it. To great excess. But try actually getting a candid shot of strangers lined up in an interesting environment. Not easy!