... you can fill up on purple.
ADDED: Video shows just how many butterflies there were today:
I just posted one of those also... I asked my friend the entomologist if it was a hummingbird moth and she said it was a close relative, the bumblebee moth.Hey, he got his to hold still... plus he's a professional photographer. No fair!
ooh that is such a beautiful pictureI'm touched by the solace of the non-flower on the command key, and I wonder what a tear would look like in beady eyes of a cockroach. How can I show my feeling? I've added a thumbnail of the picture that moved the little beastie and a link to help readers understand his ancestry. A here's one more thing, evidence that I did trouble myself, yesterday, to look into the eyes of the insect...
brings a tear to my beady eyes to think
of a world of light and air and pretty flowers
while i'm stuck under the fridge in the dark
except when i can get to tommy's computer
--tommy is the boy whose computer i use--
and all that beauty makes me think of music too
--you know i have the transmigrated soul of a composer--
and i do wish tommy would put on the music i ask for
now, what music does that scene remind you of...
me, i think of a bartok string quartet
tommy's usually playing the ramones
anyway, speaking of air
tommy's mom got a new macbook air
you know the one you could wrap fish in
if you're not careful
tommy wants one too
says it will eat less space in his back pack
only trouble is i watched mom snap that thing shut
--whap--
i asked tommy how could he make sure
he wouldn't just slam that sucker shut when
i'm in the middle of a comment
he says there's lots of room between the keys
sorta like an old typewriter my great great great, etc.
grandfather had to hop around on,
but could also hide in when the time came
no room to hide near modern technology i'm afraid
my only hope would be to flatten myself out
next to the command key, which has a flower on it
anyway, i told tommy he could just leave me the fish
after mom mistook the computer for a freezer bag
she was wondering if she could get a glass of sancerre
to calm her nerves at the genius bar
[C]inema verite -- choosing moments where action might occur instead of creating it -- ... was the brainchild of Robert Drew, an editor at Life magazine. He believed the magazine enjoyed its success because it brought into the home pictures of action in the midst of happening -- four soldiers struggling to plant the flag at Iwo Jima, for instance -- and he wanted to extend that concept to documentaries. "I thought all we had to do was put a Life photographer who valued candid photography behind a motion picture camera, and we could make a new kind of film." But thanks to an eight-man crew that had to stop and set heavy equipment on tripods, action eluded capture.
Then Mr. Drew started to experiment with lightweight cameras and sound recorders. In 1959, under the banner of Drew Associates, he put together a film crew, all of whom went on to write their names on the pages of documentary history: Albert Maysles, Terence Filgate (a film maker well known in his native Canada), Richard Leacock ("Monterey Pop") and D. A. Pennebaker ("Don't Look Back," "The War Room").
The film makers set out in the dark: they were making documentaries with no directors, no scripts, no sets, no lights, little or no narration and no interviews. To be at the right place at the right moment was everything. They considered themselves neutral observers who merely recorded ongoing events and had, as much as possible, no point of view. Their first important work was "Primary," which tracked Senators John F. Kennedy and Hubert H. Humphrey through the cold 1960 Wisconsin Democratic Presidential primarily...
Their approach, says Mr. Filgate, offered an alternative to the Edward R. Murrow style of documentaries. "It was as if we were butterfly hunting. We knew there were butterflies in the woods, but we didn't know what kind, and we didn't know how we were going to catch them; whereas in the journalistic documentary, a reporter says, 'On my left, hidden in the bushes, are thousands of butterflies.' And then the camera cuts away to the bushes. Drew, with 'Primary,' broke that mold."