"If you flay him as a historical figure and lay him out on a table, you find a maggoty cross section of the monster the postcolonial 20th century became, presided over by whiny, violent, and jaw-droppingly self-centered white dudes. One of the direct effects of the century of French colonization that preceded Gauguin's arrival—whose effects he loudly decried both in his writings and in his paintings—was the decimation of the population from causes including diseases like the one he brought into the bedroom of his final girlfriend."
Jen Graves emotes about art.
Friday, February 17, 2012
"In no scenes were these maidens seen navigating the oozing bits of Gauguin's body, but once you know even a little about him, you find that he is just so vividly, eye-catchingly gross."
Labels:
art,
art and politics,
Gauguin,
racial politics
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