The most interesting thing about today's "Gatsby" sentence is the use of plunged for the action of the hands into the pockets, when the feet are in a puddle of water. A puddle isn't deep, and Gatsby is just standing in the puddle. He can't be plunged into a mere puddle, but then again, his pockets are not bodies of water, so the plunging into the pockets is metaphorical.
The puddle is shallow and the pockets are not deep water, and Gatsby's hands aren't really weights. They're just like weights. But if you were weighted and plunged into deep water, you'd be in great danger of dying, and, indeed, Gatsby is pale as death. Drowning could be called a tragedy, and Gatsby is glaring tragically into the narrator's eyes.
Maybe you think this sentence is overwritten. Pale as death is a cliché and it's sort of redundant with glaring tragically. Adverb adversaries would say you don't need tragically when you've already got glaring. Verbosity prigs might say if the narrator is able to see that Gatsby is glaring, it's tedious to go to the trouble to tack on into my eyes. And into my eyes is kind of a slow way to coast to an ending when you're trying to be this dramatic, what with death and weights and tragically dragging us down.
But maybe if we could escape from this isolated sentence — which we can't, in the Gatsby project as arbitrarily defined by me — we would see reason behind the seemingly weak into my eyes. Gatsby is desperate for something that must come, very specifically, from the narrator. Save me!
AND: Did "a puddle of water glaring tragically into my eyes" bother you?
Showing posts with label grammar. Show all posts
Showing posts with label grammar. Show all posts
Tuesday, January 8, 2013
Thursday, January 3, 2013
"They were both in white, and their dresses were rippling and fluttering as if they had just been blown back in after a short flight around the house."
I decided to pluck something from Chapter 1 for today's entry in the "Great Gatsby" project. I randomly selected the sentence that appears above. You must believe me that it is indeed random, and yet someone had just emailed me to say he liked the Gatsby project and:
The "they" is perplexing in another, more disturbing way, because it reappears halfway through in "as if they had just been blown back." We're given a simile that asks us to picture the women, in their white dresses, flying around the house at some earlier moment. They — the women — look like they just landed, as their dresses are "rippling and fluttering" from a recent "short flight." But to say "their dresses were rippling and fluttering as if they had just been blown back" is to create ambiguity, the possibility that the "they" was "their dresses," and we might feel called upon to picture the dresses, by themselves, flying around the house before getting blown back onto the 2 erstwhile naked women. The flying-around-the-house image is fantastical, so we can't tap our our knowledge of what is possible and what is probable, and yet, somehow we know it was the women in their dresses who seem as if they'd just flown around the house and gotten blown back in.
I think the problem of 2 possible antecedents for the second "they" is a writing error, and this Gatsby project is premised on the greatness of the sentences. I hate to be the one to have to say a good editing eye would have seen that ambiguity, but the greatness of the sentence-writing doesn't require a complete absence of error, and the logic of the sentence precludes the dresses flying around the house on their own because we can't picture the dresses getting back on the women without losing the "rippling and fluttering" action caused by the flight and landing. So enough of that. Stop picturing naked women waiting while their dresses fly around the house.
It was the women, so magical and light, like birds or butterflies, that flew around the house. They could fly, but they didn't fly far, only around the house which they got blown back into. These women don't have much ambition or power on their own. They are housebound, even though they can fly. They do an orbit of the house and then a breeze sweeps them back in. But here they are, so pretty in their fluttery white dresses. And of course, they only look as if they'd taken that charmingly domestic flight. The truth is they are sitting together in the house, and they haven't been going anywhere. But there is a breeze, a breeze that might blow a butterfly into the house, and it ripples their flimsy dresses.
When I was a Harvard Freshman in 58-59, I took the required freshman English class and the instructor was an expert on Gatsby....Now, how can my correspondent believe that I randomly picked a sentence with 2 women in white? But, on my purest honor, I did. We're focusing on sentences, so I don't know or care whether Daisy was one of the 2 women. I won't presume, though I will presume that the 2 entities known as "They" are women, given that they are wearing dresses. We must bring our knowledge of what is possible and what is probable to the enterprise of reading, even as we bear down on an isolated sentence. One or both of "them" might be a transvestite male (or a nonhuman), but I'm going to presume 2 women (or girls).
At one point while we were reading Gatsby for the class, he remarked "Have you noticed that whenever you see Daisy in the novel, she is wearing white?"
The "they" is perplexing in another, more disturbing way, because it reappears halfway through in "as if they had just been blown back." We're given a simile that asks us to picture the women, in their white dresses, flying around the house at some earlier moment. They — the women — look like they just landed, as their dresses are "rippling and fluttering" from a recent "short flight." But to say "their dresses were rippling and fluttering as if they had just been blown back" is to create ambiguity, the possibility that the "they" was "their dresses," and we might feel called upon to picture the dresses, by themselves, flying around the house before getting blown back onto the 2 erstwhile naked women. The flying-around-the-house image is fantastical, so we can't tap our our knowledge of what is possible and what is probable, and yet, somehow we know it was the women in their dresses who seem as if they'd just flown around the house and gotten blown back in.
I think the problem of 2 possible antecedents for the second "they" is a writing error, and this Gatsby project is premised on the greatness of the sentences. I hate to be the one to have to say a good editing eye would have seen that ambiguity, but the greatness of the sentence-writing doesn't require a complete absence of error, and the logic of the sentence precludes the dresses flying around the house on their own because we can't picture the dresses getting back on the women without losing the "rippling and fluttering" action caused by the flight and landing. So enough of that. Stop picturing naked women waiting while their dresses fly around the house.
It was the women, so magical and light, like birds or butterflies, that flew around the house. They could fly, but they didn't fly far, only around the house which they got blown back into. These women don't have much ambition or power on their own. They are housebound, even though they can fly. They do an orbit of the house and then a breeze sweeps them back in. But here they are, so pretty in their fluttery white dresses. And of course, they only look as if they'd taken that charmingly domestic flight. The truth is they are sitting together in the house, and they haven't been going anywhere. But there is a breeze, a breeze that might blow a butterfly into the house, and it ripples their flimsy dresses.
Labels:
ambiguity,
F. Scott Fitzgerald,
grammar,
metaphor,
naked,
the Gatsby project,
whiteness,
writing
Monday, December 17, 2012
"Is 'God, guns, and gays' losing its peril for Democrats?"
A strange way to phrase a question, in this Greg Sargent column. What does this stunning lack of parallelism reveal about the Mind of Sargent?
I guess Sargent might love alliteration. GGG. But someone ought to tell him that — coming from a very conspicuous gay guy — GGG stands for "good, giving, and game": ("good in bed," "giving equal time and equal pleasure," and "game for anything — within reason'").
And some people think "Guns, God and Government" — the work of a not-quite-earless guy with a lady's name.
What does GGG mean to you? I'm thinking, for me, grammar, graphomania, and...
Indeed, I’m cautiously hopeful that this time around, Democrats will overcome their typical skittishness on guns. ... [T]he politics of this issue have changed: Democrats are less reliant on conservative, rural, gun-owning voters than at any time in the history of the party, due to Dem gains among socially moderate suburbanites, and ongoing demographic shifts that continue to boost the vote share among minorities and young voters — all voter groups who may not see “gun rights” as a potent issue.You know those "rural" folk, who cling to their guns and religion. Maybe they can be ignored by Democrats who have other blocs out of which to build victories. But to throw "gays" on the list... well, that's not something those horrible peasants cling to like guns and religion. It's something they're supposedly repelled by, perhaps something like the way those socially moderate suburbanites are imagined to have an aversion to God and guns.
I guess Sargent might love alliteration. GGG. But someone ought to tell him that — coming from a very conspicuous gay guy — GGG stands for "good, giving, and game": ("good in bed," "giving equal time and equal pleasure," and "game for anything — within reason'").
And some people think "Guns, God and Government" — the work of a not-quite-earless guy with a lady's name.
What does GGG mean to you? I'm thinking, for me, grammar, graphomania, and...
Tuesday, December 4, 2012
"Jovan Belcher’s grieving teammates on the Kansas City Chiefs refused to blame guns for his horrifying murder-suicide."
So begins an article at The Daily News. Interesting construction "his... murder-suicide." Normally, when you say "his murder," the possessive pronoun refers to the murder victim, not the murder." "[H]is horrifying murder-suicide" seems to strain to hide Belcher's agency in killing 2 human beings. One senses that The Daily News would like to do the very thing the teammates aren't doing: blame the guns.
And, by the way, I'm not swallowing the story that Belcher traveled from the murder scene — his home — to the football facility for the purpose of thanking his employers for giving him "a chance" in life. That's management's story, and it works as PR. It essentially requests that we sympathize with the murderer. I invite you into a thought experiment: Why else might Belcher have relocated?
With a theory of my own, I asked Meade that question yesterday, and he said something that hadn't occurred to me. Belcher shot his Kasandra Perkins in front of his mother. He had an audience. And he sought out an audience — head coach Romeo Crennel and general manager Scott Pioli — for the suicide. He chose spectators for his self-killing. Having horrified his mother, he went for new spectator-victims, individuals most likely to suffer to see him die. If he thanked them, he was saying you've invested your work and your trust in me and now watch me destroy that.
My theory was different. After the murder, Belcher thought: What do I do now? How can I get out of this? He went to management in the hope that they could bail him out somehow. He was in a terrible jam. Come on, enfold me, protect me. You've got all those ingenious defensive plays on the field, do something for me now. Protect your investment in me. You've done so much for me already. You've given me a chance in life, and a chance is what I really need now. You pulled me up out of nothing. If anyone can help me now it's you.
"If you have daughters, you should (have a gun),” Chiefs defensive lineman Shaun Smith said Monday. “You have to protect yourself. You work so hard to get to where you at, I'll be damned if I’ll just let someone take it from me.”If you acquire wealth, you become a theft target!
Linebacker Brandon Siler, who had Thanksgiving dinner with Belcher, also had no problems with guns.Speaking of self-defense and looking at the picture at the link, showing the huge size difference between Belcher and the woman he killed, even if your concern is domestic violence, why would you blame guns? There are any number of ways he could have killed her. A gun would have been the one way she could have defended herself.
“Well, a majority of people own one, especially in the places where they're legal. Most of the time they're for self defense or sport,” he said.
And, by the way, I'm not swallowing the story that Belcher traveled from the murder scene — his home — to the football facility for the purpose of thanking his employers for giving him "a chance" in life. That's management's story, and it works as PR. It essentially requests that we sympathize with the murderer. I invite you into a thought experiment: Why else might Belcher have relocated?
With a theory of my own, I asked Meade that question yesterday, and he said something that hadn't occurred to me. Belcher shot his Kasandra Perkins in front of his mother. He had an audience. And he sought out an audience — head coach Romeo Crennel and general manager Scott Pioli — for the suicide. He chose spectators for his self-killing. Having horrified his mother, he went for new spectator-victims, individuals most likely to suffer to see him die. If he thanked them, he was saying you've invested your work and your trust in me and now watch me destroy that.
My theory was different. After the murder, Belcher thought: What do I do now? How can I get out of this? He went to management in the hope that they could bail him out somehow. He was in a terrible jam. Come on, enfold me, protect me. You've got all those ingenious defensive plays on the field, do something for me now. Protect your investment in me. You've done so much for me already. You've given me a chance in life, and a chance is what I really need now. You pulled me up out of nothing. If anyone can help me now it's you.
Labels:
domestic violence,
empathy,
grammar,
guns,
Jovan Belcher,
murder,
suicide
Sunday, August 26, 2012
"Now that Tampa is out of harm's way, mostly from Isaac, I'm alarmed to see what might happen in New Orleans."
"Head's up, all you central Gulf Coasters!" says MadisonMan, in the comments on the Crist thread, and Meade points me to this map, showing the predicted storm path as of 11 EDT:

First, MadisonMan's syntax makes me see a joke I don't think he intended. "Now that Tampa is out of harm's way, mostly from Isaac..." Didn't he only mean to say "Now that Tampa is mostly out of harm's way from Isaac"? Or did he mean to say that Tampa is still in harm's way? The major harm aimed its way was Isaac, and that's now going elsewhere, but Tampa is nevertheless in the path of the approaching the GOP convention.
But, anyway, let's move on to those people who have thought it was acceptable and funny to joke about God taking aim at the Republican convention. For example, at the Isthmus forum, which I linked to in the Crist thread, a commenter using the pseudonym Henry Vilas said "I wonder if Pat Robinson will claim that God is sending a hurricane to Tampa in order to punish the GOP."
Notice that Vilas is himself thinking of the hurricane as God's punishment, but he dredges up "Robinson"[sic-- it's Robertson] to put the vile observation into the mouth of someone who is not a liberal. But liberals were not refraining from joking about God's wrath aimed at the GOP. Remember that Dana Milbank's column.
Of course, the liberals are only joking about God. God is a joke. Robertson was (presumably) genuinely wondering about the things a God he believes in might do to punish sinful human beings. I don't know which is worse, but if you care about sin — or good and evil — you should give priority to the things you do, not to whether other people are offending God (and how God is assessing and reacting to these various offenses). If a hurricane is coming, that's a serious matter, and real people are in danger. That's not great material for your political jokes, even though it just seems so delicious that a hurricaneis was pointed at the GOP convention.
And, I know, I'm violating my own principle in saying that you should look to your own sins. So let me slink away and contemplate my own offenses against The Creator.
First, MadisonMan's syntax makes me see a joke I don't think he intended. "Now that Tampa is out of harm's way, mostly from Isaac..." Didn't he only mean to say "Now that Tampa is mostly out of harm's way from Isaac"? Or did he mean to say that Tampa is still in harm's way? The major harm aimed its way was Isaac, and that's now going elsewhere, but Tampa is nevertheless in the path of the approaching the GOP convention.
But, anyway, let's move on to those people who have thought it was acceptable and funny to joke about God taking aim at the Republican convention. For example, at the Isthmus forum, which I linked to in the Crist thread, a commenter using the pseudonym Henry Vilas said "I wonder if Pat Robinson will claim that God is sending a hurricane to Tampa in order to punish the GOP."
Notice that Vilas is himself thinking of the hurricane as God's punishment, but he dredges up "Robinson"[sic-- it's Robertson] to put the vile observation into the mouth of someone who is not a liberal. But liberals were not refraining from joking about God's wrath aimed at the GOP. Remember that Dana Milbank's column.
Of course, the liberals are only joking about God. God is a joke. Robertson was (presumably) genuinely wondering about the things a God he believes in might do to punish sinful human beings. I don't know which is worse, but if you care about sin — or good and evil — you should give priority to the things you do, not to whether other people are offending God (and how God is assessing and reacting to these various offenses). If a hurricane is coming, that's a serious matter, and real people are in danger. That's not great material for your political jokes, even though it just seems so delicious that a hurricane
And, I know, I'm violating my own principle in saying that you should look to your own sins. So let me slink away and contemplate my own offenses against The Creator.
Labels:
comedy,
conventions,
Dana Milbank,
God,
grammar,
hurricane,
Isthmus,
MadisonMan
Friday, August 3, 2012
The Democratic Congressional Campaign Committee apologizes for saying Republicans had obtained "Chinese prostitution money."
The DCCC admits to making "unsubstantiated allegations," which "was wrong." (Note the grammatical correctness of the verb "was." They don't admit the allegations were wrong, only that making them was wrong.)
The DCCC had seized on an Associated Press report indicating that a former executive at the Las Vegas Sands Corporation in China alleged in legal documents that [Sheldon] Adelson was aware of prostitution at the casino’s location in Macau. Adelson is CEO of the Las Vegas Sands Corporation. “What will Speaker Boehner, Leader Cantor and House Republicans do with their Chinese prostitution money?” the DCCC had asked on its website, according to ABC News. The taunt was referring to House Speaker John Boehner (R-Ohio) and Rep. Eric Cantor (R-Va.), the majority leader.Their Chinese prostitution money!
Labels:
apologies,
Boehner,
Democratic Party,
grammar,
lying,
prostitution,
Sheldon Adelson
Tuesday, July 24, 2012
Wednesday, July 4, 2012
Tuesday, April 24, 2012
"When someone walks down the street in a button-down and khakis, the bad guy gets a glimmer of fear, wondering: are they packing or not?"
A spokeman for Woolrich (a company that makes relatively stylish pants that have compartments for carrying a gun) is quoted in a NYT article about fashion and concealed carry.
This might be the least anti-gun article I've ever seen in the NYT. I was trying to read between the lines to find the anti-gun message. Maybe the idea is that omission of negativity will itself freak out the NYT readers. Maybe there are some subtle signals that the people who buy pants like this are not our kind. The first person quoted in the article is "Shawn Thompson, 35, who works at an auto dealership in eastern Kentucky, bought two shirts last month from the Woolrich Elite Concealed Carry line." Even before you see the quote, you've got Kentucky and auto dealership. And here's the quote:
But maybe I'm being too hard on the NYT. This is a news-you-can-use article for concealed carriers. You might just want to buy something from the Woolrich Concealed Carry line
— and if you do, please use that link. And maybe you're thinking, are there any concealed carry shorts? The answer is: Yes!
When someone walks down the street in shorts, the bad guy gets a glimmer of fear, wondering: are they packing or not?
This might be the least anti-gun article I've ever seen in the NYT. I was trying to read between the lines to find the anti-gun message. Maybe the idea is that omission of negativity will itself freak out the NYT readers. Maybe there are some subtle signals that the people who buy pants like this are not our kind. The first person quoted in the article is "Shawn Thompson, 35, who works at an auto dealership in eastern Kentucky, bought two shirts last month from the Woolrich Elite Concealed Carry line." Even before you see the quote, you've got Kentucky and auto dealership. And here's the quote:
“Most of the clothes I used in the past to hide my sidearm looked pretty sloppy and had my girlfriend complaining about my looks,” he wrote [on his blog], adding in an interview, “I’m not James Bond or nothing, but these look pretty nice.”Not... nothing. I suspect that opens up the channels of aversion for the typical NYT reader.
But maybe I'm being too hard on the NYT. This is a news-you-can-use article for concealed carriers. You might just want to buy something from the Woolrich Concealed Carry line
When someone walks down the street in shorts, the bad guy gets a glimmer of fear, wondering: are they packing or not?
Labels:
fashion,
grammar,
guns,
men in shorts,
nyt
Thursday, January 5, 2012
"Occupy protesters offered lesson in free speech."
Is that headline supposed to mean the protesters are giving a lesson or getting a lesson? Surprisingly, it's the latter:
"Many Occupy L.A. protesters arrested during demonstrations in recent months are being offered a unique chance to avoid court trials: pay $355 to a private company for a lesson in free speech...."Naturally, part of my surprise was due to the prospect of citizens being required to fork over money to a private business, which would teach them about the limits to their constitutional rights, in exchange for a reprieve from the legal repercussions of civil disobedience. But I was also surprised to find that, contrary to my breezy reading of the headline in which I'd parsed the phrase Occupy protesters as the subject of the verb offered in the active voice, I should have read offered as being in the passive voice, with the protesters being the recipients of free-speech lessons rather than the purveyors of those lessons.
Labels:
free speech,
grammar,
headlines,
Language Log,
law,
Occupy [Your City]
Friday, December 23, 2011
"The Democratic-controlled Senate" and "the Republican-controlled House of Representatives" do that "payroll tax cut" they've been fussing over.
But I just want to talk about CNN's grammar. In an effort to avoid saying "Democrat" for "Democratic," CNN has said "Democratic" when it makes no sense. "Democratic" is only an adjective, and Democrats are annoyed when Republicans use "Democrat" as an adjective instead of "Democratic," but when you want a noun, you need to say "Democrat."
I could imagine thinking an adverb was needed with "-controlled," but then it would be "Democratically-controlled" and "Republican-controlled" would lack parallelism. But you don't use an adjective to modify an adjective, and
"-controlled" is obviously an adjective.
CNN is overcorrecting itself out of fear of lapsing into the conservative shibboleth "Democrat" for "Democratic."
ADDED: Test my point with another example, used with "-controlled": A school controlled by parents could be called a "parent-controlled" school. You wouldn't dream of calling it a "parental-controlled" school. You might consider "parentally-controlled" (and wouldn't you drop the hyphen?). "Parentally controlled school" wouldn't be grammatically wrong, but it would have the wrong meaning. It would be a school that was controlled in a parental fashion by who-knows-who, not a school controlled by parents.
I could imagine thinking an adverb was needed with "-controlled," but then it would be "Democratically-controlled" and "Republican-controlled" would lack parallelism. But you don't use an adjective to modify an adjective, and
"-controlled" is obviously an adjective.
CNN is overcorrecting itself out of fear of lapsing into the conservative shibboleth "Democrat" for "Democratic."
ADDED: Test my point with another example, used with "-controlled": A school controlled by parents could be called a "parent-controlled" school. You wouldn't dream of calling it a "parental-controlled" school. You might consider "parentally-controlled" (and wouldn't you drop the hyphen?). "Parentally controlled school" wouldn't be grammatically wrong, but it would have the wrong meaning. It would be a school that was controlled in a parental fashion by who-knows-who, not a school controlled by parents.
Labels:
Congress,
grammar,
journalism,
taxes
Friday, October 21, 2011
"I really do not know that anything has ever been more exciting than diagramming sentences."
"I suppose other things may be more exciting to others when they are at school but to me undoubtedly when I was at school the really completely exciting thing was diagramming sentences and that has been to me ever since the one thing that has been completely exciting and completely completing."
Diagram that! is the implicit challenge from Gertrude Stein – whose sentences are devilishly devoid of commas.
Diagram that! is the implicit challenge from Gertrude Stein – whose sentences are devilishly devoid of commas.
Stein hates commas passionately. I wish she were just a little more fond of them, LOL. Even I have a nagging desire to insert commas in her prose!Commas are servile and have no life of their own... what does a comma do, a comma does nothing but make easy a thing that if you like it enough is easy enough without the comma.She uses them instead of question marks, though, because she hates them even more! She says the question mark looks like "a brand on cattle."
Labels:
cows,
Gertrude Stein,
grammar,
punctuation,
writing
Tuesday, June 7, 2011
Friday, April 8, 2011
"I do think I’m in love with you when I’m with you."
"But it’s awfully hard for me to stay in love with someone when I only see them every three months and when the only contact I have with them is through letters."
An interesting, early — 1947 — use of "them" for "him," from Jacqueline Lee Bouvier, writing, when she was 16, to a beau who was not JFK.
An interesting, early — 1947 — use of "them" for "him," from Jacqueline Lee Bouvier, writing, when she was 16, to a beau who was not JFK.
Labels:
grammar,
Jackie Kennedy,
relationships,
writing
Tuesday, March 1, 2011
Chief Justice Roberts teaches a language lesson: "The noun 'crab' refers variously to a crustacean and a type of apple, while the related adjective 'crabbed' can refer to handwriting that is 'difficult to read'..."
"... 'corny' can mean 'using familiar and stereotyped formulas believed to appeal to the unsophisticated,' which has little to do with 'corn,' ('the seeds of any of the cereal grasses used for food'); and while 'crank' is “a part of an axis bent at right angles,' 'cranky' can mean 'given to fretful fussiness."
And the point is, a corporation may be a "person" within the meaning of the Freedom of Information statute, but that doesn't mean it's gets in on the "personal" privacy referred to elsewhere in the statute.
IN THE COMMENTS: rhhardin said:
And the point is, a corporation may be a "person" within the meaning of the Freedom of Information statute, but that doesn't mean it's gets in on the "personal" privacy referred to elsewhere in the statute.
[I]n ordinary usage, a noun and its adjective form may have meanings as disparate as any two unrelated words. ...Crisply explained!
"Person" is a defined term in the statute; “personal” is not. When a statute does not define a term, we typically “give the phrase its ordinary meaning.”... “Personal” ordinarily refers to individuals. We do not usually speak of personal characteristics, personal effects, personal correspondence, personal influence, or personal tragedy as referring to corporations or other artificial entities. This is not to say that corporations do not have correspondence, influence, or tragedies of their own, only that we do not use the word “personal” to describe them.
Certainly, if the chief executive officer of a corporation approached the chief financial officer and said, "I have something personal to tell you," we would not assume the CEO was about to discuss company business. Responding to a request for information, an individual might say, "that’s personal." A company spokesman, when asked for information about the company, would not.
IN THE COMMENTS: rhhardin said:
While he's got the FCC's attention, mention that the "fucking" in "fucking brilliant" is not an adjective.Ha! He's referring to this FCC opinion:
The complainants allege that the licensees named in their respective complaints aired the “Golden Globe Awards” program, during which the performer Bono uttered the phrase “this is really, really, fucking brilliant,” or “this is fucking great.”..."Fucking" can be an adjective, as in "You're a fucking crank," "Watch out for the fucking crab," or "I can't believe you're serving fucking corn again," but in the Bono boast, it's a fucking adverb.
The word “fucking” may be crude and offensive, but, in the context presented here, did not describe sexual or excretory organs or activities. Rather, the performer used the word “fucking” as an adjective or expletive to emphasize an exclamation. Indeed, in similar circumstances, we have found that offensive language used as an insult rather than as a description of sexual or excretory activity or organs is not within the scope of the Commission’s prohibition of indecent program content.
Labels:
corn,
crabs,
dirty words,
fleeting expletives,
grammar,
John Roberts,
language,
law,
privacy,
rhhardin
Monday, January 17, 2011
"You and I have each befriended each other on Facebook. And you will note that I am not using 'friend' as a verb."
Defining geezerhood, it's George Johnson:
Speaking of Facebook, "'The Social Network' Dominates Golden Globes." So the big movie of the year, the one that they were celebrating last night on television, as about something on the internet. Sorry. I didn't go out to the movie, and I didn't watch the TV awards show, because I was spending time on the internet — and I kind of think that was true of an awful lot of people.
Speaking of Facebook, "'The Social Network' Dominates Golden Globes." So the big movie of the year, the one that they were celebrating last night on television, as about something on the internet. Sorry. I didn't go out to the movie, and I didn't watch the TV awards show, because I was spending time on the internet — and I kind of think that was true of an awful lot of people.
Labels:
awards,
Bloggingheads,
Facebook,
grammar,
movies
Friday, December 17, 2010
"How did McConnell go from uncertain to cocksure in two days?"
"A confluence of facts and events helped McConnell convince senior appropriators in his own party -- people who, like he..."
... like he...
"... don't fundamentally oppose the earmarking process -- to back off the omnibus, according to a Republican leadership aide. Part of it was that, though bipartisan, the bill itself included funding for key Democratic priorities that in the current political environment no Republican supports, or wants to be accused of supporting. The omnibus included $1 billion in spending to implement the health care law -- a provision no Republican wanted to de facto support."
... like he...
"... don't fundamentally oppose the earmarking process -- to back off the omnibus, according to a Republican leadership aide. Part of it was that, though bipartisan, the bill itself included funding for key Democratic priorities that in the current political environment no Republican supports, or wants to be accused of supporting. The omnibus included $1 billion in spending to implement the health care law -- a provision no Republican wanted to de facto support."
Labels:
grammar,
Mitch McConnell,
Obama's Congress,
TPM
Tuesday, October 19, 2010
"Rich professors doth protest too much."
Says Michael Kinsley. And I might want to read that article, but I'm too annoyed by the use of the verb "dost" with a third-person plural subject. I know it's a Shakespearean reference, but in an effort to go literary, he goes illiterate. He goeth illiterate. See? Doth is does, with a lisp. It's not plural.
ADDED: This post wrongly assumes Kinsley writes his own headlines over at Politico. Some unknown headline writer attempting to be literary, went illiterate.
ADDED: This post wrongly assumes Kinsley writes his own headlines over at Politico. Some unknown headline writer attempting to be literary, went illiterate.
Labels:
economics,
grammar,
headlines,
Michael Kinsley,
Shakespeare,
taxes
Friday, August 20, 2010
"Your call will be answered in the order it was received."
Why does this common phrase feel grammatically wrong? I was on hold long enough to find the answer:
... a single thing cannot be received in a particular order. "Your call will be answered in the order your call was received?"I feel much better now.
Suggestion: Calls will be answered in the order they were received.
Labels:
grammar
Monday, August 16, 2010
"I just wanted a multigrain bagel. I refused to say 'without butter or cheese.'"
"When you go to Burger King, you don't have to list the six things you don't want. Linguistically, it's stupid, and I'm a stickler for correct English... I yelled, 'I want my multigrain bagel!' The barista said, 'You're not going to get anything unless you say butter or cheese!'"
Meet this week's mad-as-hell-and-not-going-to-take-it-anymore character, Lynne Rosenthal.
Meet this week's mad-as-hell-and-not-going-to-take-it-anymore character, Lynne Rosenthal.
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