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Showing posts with label Yellowstone. Show all posts
Showing posts with label Yellowstone. Show all posts

Tuesday, August 14, 2012

At the Dragon's Mouth Café...

DSC_0083

... don't get too comfortable.

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(Photographed at Yellowstone National Park in the Mud Volcano Area. The man in the second photograph — who's nobody I know — is doing something that is absolutely forbidden and potentially fatal.)

Friday, July 8, 2011

Grizzly bear kills a man in Yellowstone Park.

The description comes out:
Marylyn Matayoshi told park officials that she and her husband were hiking back to their car along the Wapiti Lake Trail about 11 a.m. when they saw the bear and two cubs about 100 yards away. [Yellowstone Supt. Dan] Wenk said the couple had just emerged from a dense area of lodgepole pines into a broad meadow where the bears were.

The couple backed away, and then turned in the direction they had come. When they looked back, the grizzly was charging them, Wenk said. Matayoshi yelled to his wife to run, and she took shelter behind a fallen tree at the side of the trail, according to officials.

Wenk said the sow reached Brian Matayoshi first, fatally biting and clawing him. The bear then approached Marylyn Matayoshi, and picked her up. Wenk said it is likely that because she was playing dead, the bear moved on.
It was the first killing by a bear in Yellowstone since 1986, and the bear was protecting her cubs.

As long as we're talking about Yellowstone, here are some lush photographs of Yellowstone. I especially like the ones of Grand Prismatic Spring. Generally, I prefer landscape photographs to photographs of animals. People get strangely excited about seeing animals in Yellowstone. I mean, a chipmunk begging for food? A coyote running through grass? You probably have these things in your home town. As for the bigger creatures... I'd leave them alone.

Thursday, August 3, 2006

Big Horn.

Yesterday, I drove from Teton Village, up through Teton and part of Yellowstone National Parks, toward Route 90, which is the long last leg of my drive back home to Madison. It was nice having the very easy and fast driving of Route 90 for the last 300 miles of Wednesday's drive, but to get from Yellowstone to 90, I chose Route 14/14A, the Big Horn Scenic Byway.

Here, Silvio takes a rest:

resting the car on the Big Horn scenic byway

And here's the view from the vertiginous height of 9430 feet. Look closely to see the distant horizon.

Big Horn

Big Horn

Climbing this mountain by car was challenging and scary. There were beautiful views that I could barely stand to look at, because of the height and the unguarded drastic edge. In this picture, there's some solid ground next to the road, but much of the time there was not. Only a flick of the wrist would send me plunging into death -- I kept pushing that thought out of my head.

I remembered that movie monologue -- the first time we ever saw the sublime creepiness of Christopher Walken, as Annie Hall's brother Duane:
Can I confess something? I tell you this as an artist. I think you'll understand. Sometimes when I'm driving... on the road at night... I see two headlights coming toward me. Fast. I have this sudden impulse to turn the wheel quickly, head-on into the oncoming car. I can anticipate the explosion. The sound of shattering glass. The... flames rising out of the flowing gasoline.
Don't drive with Duane on the Big Horn Scenic Byway. Think life-affirming thoughts if you're the one with the hands on the wheel. And if you're the passenger, don't say a thing or make the tiniest move that might jar the essential, steely calm of your driver.

Wednesday, August 2, 2006

Hot water.

A view into the depths of West Thumb -- Yellowstone:

West Thumb hot spring

The long view:

Cloudscape

Do you see the horrific danger?

Tuesday, November 15, 2005

"They are making me crazy. They have ruined my life."

It's those terrible not-ladybugs. Remember when you were all ooh! cute! ladybugs!? We know so much better now:
Unlike domestic ladybugs, the multicolored Asian variety likes to keep its polka dots indoors in the winter. In older rural neighborhoods, where houses are not knit tight, only insecticide can hope to keep them out. They swarm by the tens of thousands. Unlike the domestic ladybug, the Asian variety leaves a yellow stain. It can bite. Worst of all, it stinks.

As Michael F. Potter, an entomologist at the University of Kentucky in Lexington, explained: "When the beetles are handled or disturbed in any way, they emit this yellow substance from their leg. It's lady-bird blood. It has a noxious odor."

Or, as Lorene Bowling of Olive Hill, Ky., put it, "They stink something terrible."...

Ruth Hopkins, who lives in Mount Vernon, about 40 miles from Lexington, said she got up several times every night last winter to get her hand-held vacuum and sweep the bugs off the sheets and off her ailing 89-year-old husband.

"I would just take that sweeper and sweep all night," said Mrs. Hopkins, whose home is near the Daniel Boone National Forest. "All winter long, we got no rest. They would drop off the ceiling everywhere."
We have them in Wisconsin, but not anywhere near that bad. They seem to be energized by a warm day after it's been cold, on certain days in the fall and spring. I guess in the south, there are days like that all winter. I suppose with the onset of global warming, we'll be seeing more of these horrible bugs. Is there any solution other than insecticide?
In Asia, the bugs do not winter in dwellings, but land on tall, light-colored rocks and find their way into warm, damp recesses in the stone. When the beetles got to the United States, the white vinyl siding on small buildings and granite or light stone walls on larger ones may have beckoned the same way their native rocks had.

So, usually on warm, sunny autumn afternoons after a hard frost, beetles light on the western and southwestern sides of buildings, favoring light-colored buildings over dark ones, and showing a particular affinity for surfaces with contrasting dark vertical lines - like vinyl siding. When they crawl around in search of warm recesses, they end up inside, in light fixtures or attics for the winter.
I'm going to take that into account the next time I have my house painted. I want to know how dark I need to go to make my house not remind them of a rock in China. The poor darlings are just homesick.

UPDATE: Wouldn't mosquito netting work better than a DustBuster? I'm really disturbed by the idea of repeatedly vaccuuming a sick, old man.

Wednesday, December 29, 2004

Earthquake-inspired thoughts

The recent earthquake has led to articles reviewing the other calamities the earth might one day unleash upon us. I was particularly struck by this passage in an editorial in the Times of India titled "Violent Planet":

Yellowstone National Park in Montana is a mega-eruption waiting to happen. When it last blew, two million years ago, it created enough ash to bury New York state to a depth of 20 metres. Forget nations, our entire species might not survive such a cataclasmic giga-event — which for our planet is but a twitch of its skin. Such stupendous forces beyond conception can inspire only awe. And ultimate humility in the face of a mysterious creation which, to make itself complete, must inevitably contain the seeds of its own eventual dissolution.

Saturday, February 7, 2004

Things I bought at Border’s today and why.

1. Decasia: The State of Decay. A film by Bill Morrison. Because I read this article by Herbert Muschamp in today’s NYT, I remembered reading about this film before, and now it’s out on DVD. Because it’s got a sticker on the front with a quote from Errol Morris saying “Haunting, Mysterious and Incredibly Beautiful. A definitive work of art” and I love Errol Morris and am a sucker for art as long as it doesn’t trigger any of my many objections. Even though Muschamp wrote:
Already a cult classic, the movie is a time capsule of the postmodern obsession with decrepitude. What a space saver! Just pop this disc in the player and you'll have all the putrefaction you could ask for. Watch the Master Narratives Crumble! Entropy Now! Pomo's Greatest Hits!
2. The Four Complete Historic Ed Sullivan Shows Featuring The Beatles and Other Artists Including The Original Cast from "Oliver!", Cab Calloway, Cilla Black, Frank Gorshin, Soupy Sales, Gordon & Sheila MacRae, Tessie O'Shea, Myron Cohen, Mitzi Gaynor, Allen & Rossi, and many more ..." Because I love a historic mishmash that is likely to give me all sorts of weird mixed feelings of delight, anxiety, regret, nausea, horror, and general sublime awareness. Because tomorrow is the 40th anniversary of the first of the four shows and the DVD empowers the consumer to mark the occasion. Because I want to rethink how I felt when I was thirteen and had to face the reality that not everyone was as much in love with The Four Seasons as I was. (Oh, how sadly they have fallen out of the culture! A search for "Four Seasons" in Amazon did not show them at all on the first page of a list that began with: The Most Relaxing Classical Album in the World...Ever!, Sex and the City - The Complete First Four Seasons, Four-Season Harvest: Organic Vegetables from Your Home Garden All Year Long, and Montbell Ultralight #2 Sleeping Bag.)

3. The audio version of Yann Martel's "Life of Pi." Because years ago I learned how to solve my terrible insomnia problem by listening to spoken word. Audio books last years for me, because I can only hear a couple minutes a night. Because I think the elements of the story involving animals and floating in a lifeboat will harmonize well will sleeping and dreaming. Because I've listened to "A Short History of Nearly Everything" for the past year and some aspects of it are not harmonizing well with sleeping and dreaming (e.g., Yellowstone is a supervolcano due to erupt and destroy life as we know it, a large asteroid could suddenly kill us all something like a second after we became aware of it).

4. Sam Kashner's "When I Was Cool, My Life at the Jack Kerouac School." Because there's the adorable Sam Kashner on the cover wearing what William Burroughs called "suspenders of disbelief." Because I opened the book up at about twelve different places and read one sentence and every sentence passed my personal test of goodness (some combination of specific/surprising detail and an arrangement of words that charms me in some way ("I graduated 'in the Earth Horse Year,' whenever that was.")).