The real-life heroine depicted in "Zero Dark Thirty."

WaPo presents a different image:

The operative, who remains undercover... has sparred with CIA colleagues over credit for the bin Laden mission. After being given a prestigious award for her work... “She hit ‘reply all’ ” to an e-mail announcement of the awards, a ... former CIA official said. The thrust of her message, the former official said, was: “You guys tried to obstruct me. You fought me. Only I deserve the award.”

Over the past year, she was denied a promotion that would have raised her civil service rank from GS-13 to GS-14, bringing an additional $16,000 in annual pay.... The move stunned the woman’s former associates, despite her reputation for clashing with colleagues.

“Do you know how many CIA officers are jerks?” the former official said. “If that was a disqualifier, the whole National Clandestine Service would be gone.”

Torture in "Zero Dark Thirty": "It’s enough to make you wretch. It’s arguably the best and most important part of the movie."

Spencer Ackerman — whose wretched spelling may make you retch — struggles with the question that's plaguing movie fans today: Does the much-praised, Oscar-worthy Kathryn Bigelow film approve of torture?

One scene features a bloodied, disoriented and humiliated man strapped to a wall with his pants around his ankles. A second scene depicts the same man having liquid forcibly poured down his throat; later, he’s shoved into a box that could barely hold your stereo...

I'm no longer willing to view movies like this. (And I saw "3 Kings," which had a man getting liquid — crude oil — poured down his throat.) But this is what perhaps counts as serious film art these days. Crappy film entertainment is also full of torture (horror films).

Ackerman defends Bigelow: the film "presents a graphic depiction of what declassified CIA documents indicate the torture program really was" and "does not present torture as a silver bullet that led to bin Laden; it presents torture as the ignorant alternative to that silver bullet."

Bigelow's critics, linked in Ackerman's article, are worried that the film may convince people that torture is effective and worthwhile. This all sounds too rational. What does sitting quietly in a dark room with a crowd of comfortable strangers, watching huge, bright, clear moving pictures of actors pretending to be tortured do to our souls? I know the stock answer is: It's worse to live comfortably and complacently with a head free of any such picture. But the stock answer assumes that our souls are already dead.