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Showing posts with label Dostoyevsky. Show all posts
Showing posts with label Dostoyevsky. Show all posts

Sunday, November 25, 2012

"But I've often had the feeling that the existential dilemma is a very subjective matter..."

"... entirely depending upon the individual and the circumstances of his life, and that we 'Western intellectuals' with our wrenched and tormented psyches have often imposed the need to find a purpose which may be in the end only an exercise in masochism," wrote William Styron in a letter to his daughter.
A fisherman in the Arabian Gulf finds purpose in life by fishing, a Wyoming shepherder by tending his sheep and remaining close to Nature that big sky. On a somewhat higher level intellectually; a person like James Joyce, a profoundly pessimistic man at bottom, could find reason and purpose through these moments of termed "epiphanies," — instances of intense revelation (through love, or a glimpse of transcendental beauty in the natural world) which gave such a sense of joy and self-realization that they justified and, in effect, ratified the existence of him who experienced them. In other words, the existential anguish becomes undone; through moments of aesthetic and spiritual fulfillment we find the very reason for existence.
Styron suffered from depression and stopped writing novels in the last 27 years of his life. The passage above is from a new collection of letters. His nonfiction account of suicidal depression is "Darkness Visible."

The letter above goes on to talk about his great novel "The Confessions of Nat Turner." He says:
The creative act in art often approaches this, but it can work on humbler levels as well. If you'll pardon my pointing to my own work, I think I tried to render this quality of revelation — "epiphany" in a part of Nat Turner. I'm thinking of the passage beginning on p. 119 of the Random House edition (you may want to re-read it) where Nat as a little boy is waiting on the table during a spring evening and experiences the combined ecstasy of (a) being alive and healthy in the springtime, (b) being appreciated as a human being, and (c) being given some marvelous unspoken promise about the future. For him at this moment all these things were enough. Existence and its joys justify everything and remain sufficient.
That reminds me of the the Dostoevsky quote we've loved so much we have a button:

Monday, December 13, 2010

The "ants on Jesus" video isn't blasphemy — it belongs in the tradition of Christian art.

S. Brent Plate explains. Excerpt:
Christianity itself has produced some of the most gruesome images of tortured, dying, suffering, and dead bodies, especially Jesus's own body. From Latin American Roman Catholic piety to German Protestantism, the dead and dying Jesus is a point of power, passion, and ultimately compassion. Take, for example, Matthias Grünewald's Small Crucifixion (early 16th century) in the publicly funded National Gallery of Art in Washington, DC. ... mangled limbs, pocked skin oozing pus and blood.

That Christ on the cross is actually dead, and the body so dead that ants might eat it, is both the most orthodox Christian statement, and the most scandalous. But here is where the power of words and images begin to show their differences.

In Dostoyevsky's novel The Idiot, the character Ippolit kills himself. In his suicide note he meditates on a reproduction of a 16th century painting by Hans Holbein, The Dead Christ:
The picture seems to give expression to the idea of a dark, insolent, and senselessly eternal power, to which everything is subordinated, and this idea is suggested to you unconsciously. The people surrounding the dead man, none of whom is shown in the picture, must have been overwhelmed by a feeling of terrible anguish and dismay on that evening which had shattered all their hopes and almost all their beliefs at one fell blow. They must have parted in a state of the most dreadful terror, though each of them carried away within him a mighty thought which could never be wrested from him. And if, on the eve of the crucifixion, the Master could have seen what He would look like when taken from the cross, would he have mounted the cross and died as he did?
Holbein's is an image, as Prince Myshkin says in Dostoyevsky's story, that could make one lose one's faith.... And yet, the image offers a profound meditation on the power of death, that "dark insolent, and senselessly eternal power." The picture becomes, like so many before and after, a point of great healing, compassion, and understanding about this central, paradoxical thing that Christians hold dear: Incarnation.
The artist who made the ants-on-Jesus video — which is really called "A Fire in My Belly" — was David Wojnarowicz. He died of AIDS in 1992, only 4 years older than Jesus was at the time of crucifixion.

IN THE COMMENTS: Tyrone Slothrop said..
It's the anty Christ.

Thursday, April 9, 2009

"Ivan Karamazov said that if God does not exist everything is permitted..."

"... and traditional legal thinkers are likely to say that if legalism (legal formalism, orthodox legal reasoning, a 'government of laws not men,' the 'rule of law' ... and so forth) does not exist everything is permitted to judges — so watch out!"

Richard Posner in "How Judges Think" (quoted by Jac).

TANGENTIALLY RELATED: Christopher Hitchens and Dr. William Lane Craig debate the question “Does God Exist?” and Craig gives 5 arguments for the existence of God, the third one being:
3. The Moral Argument; If God does not exist, then objective moral values do not exist. Rape isn’t just culturally unacceptable, it’s actually wrong.