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Showing posts with label Reason. Show all posts
Showing posts with label Reason. Show all posts

Saturday, February 23, 2013

"I feel like I just won the Academy Award. If an artist can offend so many people that he has to go to prison..."

"... to protect society, that's really saying something. Most shock artists dream of this kind of attention, without the prison part."

Ira Isaacs, sentenced last month by a federal judge — this is in the United States— for 4 years, for violating obscenity law. The Huffington Post — considered a liberal website, and, again, this is in the United States — began its article about the sentencing with a joke: "Looks like someone's career went down the toilet." (The movies included the simulated consumption of feces.)

There is no shame anymore. And yet there still are obscenity trials. Absurd.

I'm finding this story now because I happened across an account to the trial in an article published last March at Reason.com: "Porn So Icky That It Can't Be Obscene" (by Jacob Sullum), describing the argument made at trial, which describes the argument made by Isaacs's lawyer:
"My intent is to be a shock artist in the movies I made," [Isaacs] testified, "to challenge the viewer in thinking about art differently... to think about things they'd never thought about before." Similarly, [his lawyer Roger] Diamond argued that the films have political value as a protest against the government's arbitrary limits on expression, illustrating the "reality that we may not have the total freedom the rest of the world thinks we have."
Sullum wrote:
I will be impressed if Isaacs, who faces a possible penalty of 20 years in prison, can pull off this feat of legal jujitsu, transforming the very qualities that make his movies objectionable into their redeeming value — especially since at least some of the jurors... found the evidence against him literally unwatchable. But if the jurors want to blame someone for making them sit through this assault on their sensibilities, they should not blame Isaacs. They should blame the Justice Department, which initiated the case during the Bush administration, and the Supreme Court, which established the absurdly subjective test they are now supposed to apply. Will they take seriously Isaacs' references to Marcel Duchamp, Robert Rauschenberg, Kiki Smith, and Piero Manzoni, or will they dismiss his artistic name dropping as a desperate attempt to give his masturbation aids a high-minded purpose?
But here's some up-to-date news from 2 days ago: Minutes before Isaacs was to turn himself in to the  federal Bureau of Prisons, Isaacs go a call from his lawyer saying "don't go." The judge had approved his motion for bail pending appeal.
Isaacs told XBIZ that today's events were so surreal he had felt like he was in an episode of the "Twilight Zone" or a Quentin Tarantino movie....
"Last night, I was thinking it would be my last night of freedom," he said. "I really thought that this would be it; that I would be sleeping in prison the following night... and that would continue for a very long time."
We'll see what happens in the 9th Circuit Court of Appeals and — if we're lucky — the Supreme Court.

Friday, October 28, 2011

"Juggalos are traditionally fans of the musical group the Insane Clown Posse."

Says the FBI in its 2011 National Gang Threat Assessment. Jesse Walker at Hit & Run comments: "I'd love to learn more about those non-traditional Juggalos who are not fans of Insane Clown Posse."

Sunday, October 23, 2011

Madonna's homeless brother.

Reason's Hit & Run takes the opportunity to attack the big pop star:
For the Material Girl, charity, apparently, does not begin at home. Born and raised in Bay City, Michigan, Madonna gave $135,600 in campaign donations to Democrats last year. And two years ago she contributed $11 million of her own money toward Raising Malawi, an elite academy she founded for impoverished girls in Malawi. The academy was abandoned this year after $3.8 million was spent without a brick ever being laid.
It's one thing to spend on a charity — and Madonna seems to have a problem getting that right — and another to hand out money to individual friends and family. What is the whole story here? What problems led to this man's downfall? I see that he was fired from a job in his father's vineyard and winery. I know, it seems so easy to punch Madonna around, but we're talking about a 50-year-old man. There's a long history to his predicament, and we don't know what it is.

Madonna should probably...
Set up a trust to give her brother at least a modest home.
Set up that trust, unless his past behavior was truly heinous.
Set up that trust and give large sums to charities helping the homeless.
Leave him in the gutter where he belongs, since that's where he is, and spend on whatever she likes.
  
pollcode.com free polls 

Sunday, December 5, 2010

The high-speed rail boondoggle at its worst — in California.

Via Instapundit, Reason has the nauseating details:
The California High Speed Rail Authority is committed to breaking ground on a leg of the train that will serve passengers between the unincorporated town of Borden and the half-incarcerated town of Corcoran.
Corcoran!
Whether you call it the train from nowhere or the train to nowhere, nobody will be riding it even when it’s done. That’s not libertarian cant: The actual plan for the $4.15 billion leg is that upon completion it will sit idle until other sections of track are completed.
$4.15 billion!
Background: The CHSRA needs to break ground by September 2012 or lose $2.25 billion in federal funds. The U.S. Department of Transportation has for reasons of its own favored the sparsely populated Central Valley for this first leg of the thinly imagined high speed rail project. 
Reasons of its own? Can we get an investigation?

Meanwhile, in Wisconsin, we just elected a new governor whose central election promise was to say no to $810 million connect Madison and Milwaukee by high-speed rail:
Scott Walker has made no secret of his aversion to high-speed trains, but before he goes any further with his plans to derail the planned Milwaukee-Madison line, Walker might consider some earlier chapters in Wisconsin's transportation history. They indicate that the governor-elect could be putting his state in reverse.

As long as there has been a Wisconsin, residents have labored mightily to establish connections with each other and with the world beyond the state's borders. Although disputes often arose in working out the details, the general trend was unmistakable....
Connections! We're all about relationships among people.
The idea seems oddly nostalgic at first - why build passenger trains in the 21st century? - but it actually fits an emerging settlement pattern. Not in my lifetime but perhaps in my grandchildren's, and for better or worse, an interconnected megalopolis will sprawl from Benton Harbor, Mich., to Minneapolis-St. Paul. As the empty spaces fill in, there will be a demand for some form of transport that's faster than cars but has more frequent stops (and fewer exasperating waits) than airplanes.
The columnist — John Gurda in the Milwaukee Journal Sentinel — is imagining a megalopolis in the future and telling us what people then will want. But people don't even want trains now. We drive cars. Or we take planes. There's also the bus. True, a bus doesn't go at a speed in between the speed of a car and a plane, but come on. Pick one. Road or air.

But, anyway, we have a nice train in Madison:



A train and a Christmas tree in the Wisconsin State Capitol.

Friday, May 21, 2010

Nick Gillespie gets soooo intellectual about the basis for judging Reason Magazine's "Everybody Draw Mohammed" contest...

... that I was forced to look up his educational background. Turns out he has a PhD in English literature. Ah, it makes too much sense to me.

Now, they got 190 entries in the contest. (I disapprove of the "Draw Mohammed" day, you should know.) I would love to see what the whole pile of drawings looked like. How many were stick figures or crude scratchings on the level of the "Draw Me" pirate? How many were loaded with embarrassingly violent or racial fantasy? I wish someone had had the foresight to film a documentary of these Reason guys cooking up their contest and then opening the various envelopes? I wonder if there was a point — one particular drawing? — when they felt bad about what they were doing.  And then something pushed them in the direction of getting super-elitist intellectual about picking the winners.
In coming to a consensus, we discussed standard concerns such as originality of vision, playfulness, a sense of proportion (both in terms of craftmanship and message), and relevance to the goals of the contest.
See? Read between the lines! What were they looking at when they reached that consensus? How many pieces of paper went into the discard pile over "craftsmanship"? How much did they laugh as they did a first cut over craftsmanship, and what did they say as they tossed these things aside? I would love to have been a fly on the wall... or a vole in the corner. "Sense of proportion"... what were the drawings that made them frame that standard? "Originality"? What percent of the artists drew Muhammad as a dog or as a guy with a turban-bomb? "Playfulness"... throw all the gruesome, gory things over there. "Relevance to the goals of the contest"... ha ha... so many of you scribblers did not get it. You thought it was about telling Muslims their prophet is evil, and not that free expression is precious. You fools! Did you think Nick Gillespie went to grad school for this?! 

Okay, I'm picturing approximately 90% of the drawings eliminated over these standards.

So Gillespie reveals the true test of a proper "Draw Mohammed" drawing.
The single most important element...
It's one thing.
.... and the thing that ties these selections together–is that each image forces the viewer to do two things.
I mean... it's 2 things!
First, they consciously call into question the nature of representation, no small matter in fights over whether it is allowed under Islamic law to depict Mohammed (for the historical record, there is no question that the idea that is always wrong is only of recent vintage; there is a long history of sacred and superficial images of the Prophet). The homage to Rene Magritte below states "This is not a pipe. This is Muhammed"...
He's translating the French for us. (And respelling "Muhammad" as "Muhammed," splitting the difference between the contest-name spelling — "Mohammed"— and the artist's use of the presumably politically correct spelling — "Muhammad.")
... playing with the surrealist's famous statement about the necessary disjuncture between a picture and the thing it seeks to represent. 
An insight that somehow fascinated people who studied post-modernism circa 1990. (Gillespie received his English PhD in 1996. I'd love to know more about what he studied. Can we see his dissertation?)
Just as the drawing is not a pipe (it's a drawing of a pipe), it cannot be Mohammed even as it insists it is. Even more, it is plainly not even a drawing of Mohammed or of any human figure.

Similarly, the invocation of the popular Where's Waldo? series forces the viewer to ask Where's Mohammed?, and to begin a hunt for a figure in the midst of an overstuffed scene. One assumes the black-robed character in the upper right-hand quadrant of the image is our quarry, but then what does it mean to confer on a small dot any significance whatsoever?

Second, each of the images forces the viewer to actively participate not simply in the creation of meaning but of actually constructing the image itself. This is clearest in our grand prize winner, the image below, which pushes iman and infidel alike to do the work that would condemn them to death under the most extreme reading of injunctions against representing Mohammed.
I like the way the winner — with a connect-the-dots puzzle — avoided drawing Muhammad altogether. Man, if I entered a "draw Mohammed" contest and the winner didn't even draw Mohammed, I'd be kind of pissed... and reading Gillespie's revelation of the highly intellectual but previously secret standards would not calm me down. "Reason"?! Bah!

Thursday, May 20, 2010

What Rand Paul really said about the Civil Rights Act of 1964.

Rand Paul is coming under attack for things he said about the Civil Rights Act of 1964, which outlawed race discrimination in privately owned restaurants and hotels. He's also being defended, of course, notably here, by Allahpundit:
I don’t like to go back-to-back on the same subject but a hot rumor hit Twitter as the last post was being published that Paul told NPR he would have voted against the 1964 CRA. (Much like certain Democrats who are still serving in the Senate did.) As you’ll see, it’s not true. The reporter, smelling blood, badgers him about it, but Paul never quite gives him a straight answer. And he qualifies his response with enough virtue — he opposes institutional racism, would have marched with MLK, likes a lot of what was in the CRA — that there’s really no wound inflicted here. His reservations about the law have to do not with the ends but with the means of federal compulsion; he wants business owners to serve everyone but clearly prefers using boycotts and local laws to pressure them. It’s not a question of being pro- or anti-discrimination, in other words, it’s a question of how federalism and civil-rights enforcement mesh. The left’s going to give him plenty of grief for that — expect questions soon about whether he would have voted to ratify the Fourteenth Amendment — but the “closet Klansman” narrative that NPR’s going for here is D.O.A.
It's true that Rand made many expressions of his opposition to race discrimination in what was a hearty effort to blunt the effect of what he was saying, but it is not true that his "reservations" were limited to federalism concerns. (As to federalism, there was an argument, rejected long ago by the Supreme Court, that the Constitution did not empower Congress to regulate in this area.)

Rand was also expressing the view that owners of private businesses have a right to decide whom they will serve. Such a right would not run counter to the 14th Amendment, because the 14th Amendment only protects individuals from the actions of the state and privately owned restaurants and hotels are not the state. If you want a legal requirement that these businesses treat people equally, you need to pass a statute, which is why the Civil Rights Act of 1964 was passed.  And that statute was susceptible to arguments it violated the right of the business owners to do what they wanted with their own property. When the Supreme Court upheld the Civil Rights Act of 1964, not only did it need to find an enumerated power for Congress to act, but it also had to deal with the argument that the Act violated the Due Process Clause. Rand's statement harkened back to both of those old arguments.

Look at what he said:
I don’t like the idea of telling private business owners—I abhor racism. I think it’s a bad business decision to exclude anybody from your restaurant—but, at the same time, I do believe in private ownership. But I absolutely think there should be no discrimination in anything that gets any public funding, and that’s most of what I think the Civil Rights Act was about in my mind....

I would not go to that Woolworths, and I would stand up in my community and say that it is abhorrent, um, but, the hard part—and this is the hard part about believing in freedom—is, if you believe in the First Amendment, for example—you have too, for example, most good defenders of the First Amendment will believe in abhorrent groups standing up and saying awful things. . . . It’s the same way with other behaviors. In a free society, we will tolerate boorish people, who have abhorrent behavior.
He likens private property rights to free speech rights. If you care about free speech rights, you defend even the people who say horrible things — Nazis, the KKK, etc. That's standard constitutional law doctrine. In Rand's view — and in the view of many libertarians — property rights work the same way. So you could have this horrible racist restauranteur who excluded black people, and the government would have to leave him alone, just as the government couldn't do anything about it if a white person had a dinner party at his house and only invited his white friends.

***

A few years ago, I was at a conference with libertarians, and I was confronted with exactly this point of view. I expressed my concern that they were putting an extreme and abstract idea above things that really matter in the world. I challenged them — in what I thought was a friendly conversation — to explain to me how I could know that their commitment to the extreme abstraction did not, in fact, have an origin in racism. Which came first, the proud defense of private property or the shameful prejudices that polite people don't admit to anymore?

For raising the subject, I was loudly denounced, both at the dinner table, and on the Reason Magazine website. As I said at the time:
I am struck -- you may think it is absurd for me to be suddenly struck by this -- but I am struck by how deeply and seriously libertarians and conservatives believe in their ideas. I'm used to the way lefties and liberals take themselves seriously and how deeply they believe. Me, I find true believers strange and -- if they have power -- frightening. 
I appreciate libertarians up to a point, but the extreme ones are missing something that is needed if you are to be trusted with power. I'm glad Rand Paul is on the scene, but I'm going to hold him to his own statements, and it is plain to me that Allahpundit has misunderstood or misrepresented what he said. I'm certainly not saying he's a racist, but he seems to support a legal position that would place racist private businesses beyond the power of anti-discrimination statutes.

UPDATE: Rand Paul goes on the Laura Ingraham show and, with the help of her very supportive questions, finally gets around to saying that if he were in Congress in 1964, he would have voted for the Civil Rights Act.  Here's audio of the entire segment. Here's a text summary.

UPDATE 2: Allahpundit responds to me:
Althouse’s point is that Paul opposes any government interference in how someone runs their business, which would be strong form laissez faire; I assumed, because he danced around NPR’s questions and because this was obviously about to become a major headache for him, that he was taking the more palatable, weaker form position that it’s more acceptable for state and local agencies to act against discrimination but that the feds should stay out. (As it turned out, he now says having the feds interfere is fine.) That’s why I brought federalism into it, and that’s why I thought the Fourteenth Amendment would eventually end up in the discussion. If Paul doesn’t want the feds meddling in private businesses to protect minority rights, does he at least support letting them meddle with state governments that refuse to do so?
"Meddle" in what way? Require the states to legislate? Under New York v. United States, that is more of a constitutional problem than directly regulating. Do you mean putting conditions on accepting federal funds? That could be done most easily. If you mean using §5 of the 14th Amendment, that shouldn't work, because the states are not violating rights by failing to control the choices private citizens that are not, in fact, rights violations. It's hard to believe Paul would support these things (even before he conceded that he'd vote for the CRA of 1964).

Thursday, March 4, 2010