Harper Seven.

What to name your 4th child, when your first 3 are Brooklyn, Romeo and Cruz.

The Seven in the name is believed to be a reference to David's football number when he played for Manchester United and England, while the Harper could be referring to Harper's Bazaar magazine or perhaps To Kill A Mockingbird author Harper Lee.

When I think Harper, I think "Paul Newman is 'Harper'" — a 1966 movie slogan. Here's 1 minute and 41 seconds of Paul Newman as Harper, confronting Lauren Bacall in a tiny festival of bad acting:



I remember seeing this movie at the time. I was 15. I remember having the realization that I wasn't as good at watching movies as the filmmakers expected you to be. I kept having that why is he going there now? struggle to keep up with the elliptical editing and thinking other people in the audience somehow knew. They got it. It was cool that Harper knew where to go next. You knew and he knew. But I didn't know. I blamed myself.

Photographs by/of Dennis Hopper.

Hopper took some cool photographs in the 1960s — cool not just because he had access to some of the celebrities of that era (Paul Newman, Jane Fonda, Bill Cosby, Brian Jones, Tuesday Weld, Andy Warhol, etc.).

And Terry Richardson did a nice cigar-smoking sequence of Hopper.

Via Metafilter, which highlights the great photoblog Chasing Light.

P.J. O'Rourke wants newspapers to publish pre-obituaries for the not-yet-dead.

So they can have their feelings hurt.

The main advantage of the Pre-Obit over the traditional obituary is the knowledge of reader and writer alike that the as-good-as-dead people are still around to have their feelings hurt. It was a travesty of literary justice that we waited until J. D. Salinger finally hit the delete key at 91 before admitting that Catcher in the Rye stinks.....

Bea Arthur (1922-2009) performed a grievous disservice to popular culture by uniting two equally dreadful but previously discrete American types. In her portrayal of loud, Bolshie Maude, Arthur taught every angry feminist to be a common scold and every termagant housewife to be Emma Goldman. Once Arthur had become respectable by dying no one had the nerve to title her funeral notice “The Taming of the Shrew.”

Paul Newman (1925-2008) was not, in and of himself, a bad person. But he deserved to be damned to his face for lending charm to the smirk of liberalism. And after he’d become an immortal only a heartless writer would have pointed out that for an entire generation of young people, Paul Newman is, mainly, a salad dressing.

"Small men feel... that the world belongs to big men. Seeing men you know to be small playing big on the silver screen is comforting...."

So says the small Fish — small fry — Stanley, who loves the short — under 5'9" — actors who play tough guys in the movies:

The pattern was set in the 1930s and ’40s by Edward G. Robinson (“Little Caesar”), James Cagney, George Raft, Humphrey Bogart and Paul Muni — all small men who usually played tough and cruel. Sometimes camera angles obscured the physical facts — Robinson looked absolutely huge as Wolf Larsen in “The Sea Wolf” in what can be called, without irony, a towering performance — and sometimes the camera just didn’t care as when, for example, Cagney regularly beat up men obviously twice his size.

Slightly later came John Garfield, and the smallest of them all, Alan Ladd who played big in “The Blue Dahlia,” “The Glass Key,” “The Badlanders” and who more than holds his own against Ben Johnson and a tree-like Van Heflin in “Shane.”...

Famously slight Paul Newman displayed his chest and pugilistic abilities in movies like “Somebody Up There Likes Me,” “Hud,” “The Long, Hot Summer” and “Cool Hand Luke.” James Dean would have made the list had he lived longer. Now aging tough guy-short guys (by short I mean under 5-foot-9) include Jack Nicholson, Dennis Hopper, Robert DeNiro, Harvey Keitel, Al Pacino, Mel Gibson, Jean Claude Van Damme and Sylvester Stallone, who created not one but two iconic American males, Rocky and Rambo.

And these days we have a bumper crop of undersized super heroes — Tom Cruise, Tobey Maguire, Mark Wahlberg and Robert Downey Jr., along with the occasionally macho Johnny Depp and Sean Penn.

Is there something comparable for women? Maybe we could make a list of women who have fairly average looks who play beautiful women on screen. My favorite example of this is Bette Davis in "Mr. Skeffington," where the raving over Bette's beauty occasionally crosses the line into the laughable. No man could resist her:



Ah, yes! I remember laughing out loud in the theater when she comes down the stairs and a man exclaims "Fanny! You look beautiful!" And check out that death-bed dialogue: "A woman is beautiful only when she is loved." That's what the plain women in the audience — next to the hubbies they dragged to the chick flick — long to believe.

Paul Newman has died.

We knew he was dying, but it is sad to know he's gone. I'll have more in a few minutes, but here's a press report. Please talk about your favorite Paul Newman movies.

ADDED: To tell you the truth, Paul Newman is an actor whose movies I often avoided, for some reason. Even though I was a very frequent movie-goer during his heyday, I never saw "The Sting" or "Butch Cassidy and the Sundance Kid." I never saw "The Color of Money" or "The Hustler." Despite my law career, I never saw "The Verdict" or "Absence of Malice" or "The Life and Times of Judge Roy Bean." Reading over his list of movies, it seems as though I have been going out of my way to avoid Newman's movies. I don't know why. I thought he was an excellent actor, and he was certainly as good-looking as a human being can be. Perhaps it's that when I was quite young, I saw "Hud" and "Harper" and just didn't understand the point.

I've seen "Mr. and Mrs. Bridge," "Sweet Bird of Youth," "Cat on a Hot Tin Roof," and "Cool Hand Luke." When I think of Paul Newman movies, that's the one I think of first, the emblematic Paul Newman movie, "Cool Hand Luke":



"I've got the words of Mary, assuring me that I won't go to Hell."

IN THE COMMENTS: Ruth Anne Adams asks: "Is your misquote an Episcopalian mondegreen?" Misquote? Oh, yes, it's "Virgin Mary," not "words of Mary." Episcopalian? More likely, Beatles.