"I'm free and I love to be free/To live my life the way I want/To say and do whatever I please..."

Consider the use of the old Lesley Gore song — "You Don't Own Me" — for political, pro-Obama purposes:



Now, I love old Lesley and her classic song. And it's fine with me if the Democratic Party is her party — and she'll cry if Obama loses, cry if Obama loses, you would cry too if it happened to you. "You Don't Own Me" dates back to 1963 — pre-Women's Liberation, pre-Beatles. But let's consider the lyrics and the extent to which they express the values of the present-day Democratic Party.

By the way, Ms. Gore did not write "You Don't Own Me." It was written by 2 men, John Madara (who also wrote "At the Hop") and David White (who co-wrote "At the Hop" and was a member of the doo-wop group Danny & the Juniors who recorded "At the Hop"). Madera and White also co-wrote "The Fly," which was a dance that you could do at the hop, and here's Chubby Checker showing you how:



That was 1961, 2 years before Lesley sang Madera and White's declaration to female autonomy, which is no kind of dance song at all, though Diane Keaton, Bette Midler, and Goldie Hawn manage to turn it into a dance for the purpose of bringing a close to the execrable 1996 movie "First Wives Club":



That movie is best described by David Rakoff in "Half Empty": "A gynocentric comedy predicated on the scenario where men are cheating bastards and middle-aged women the goddesses who best them while cementing their sisterhood with Motown-scored makeover montages, vengeful shopping sprees, warmed-over Lucy-and-Ethel hijinks, and random humiliations visited upon women who are younger and therefore by definition stupid whores."

Anyway, look at the lyrics to "You Don't Own Me," words which a couple youngish guys put in the female singer's mouth, as repurposed for the 2012 election "war on women" theme:

I'm young and I love to be young
I'm free and I love to be free
To live my life the way I want
To say and do whatever I please

Sounds libertarian to me. But it's the Obama side using this, so presumably we're supposed to hear something like:

I'm free and I want my birth control to be free
To live my life the way I want
To say and do whatever I please and have the government pay for it

Deadline Hollywood summarizes the movie and TV history of men dressed as women...

On the occasion of the new TV show "Work It" (which we talked about yesterday):

While it may have deeper implications today than it did decades ago, men dressing like women is one of the oldest forms of comedy. It is at the heart of one of the best feature comedies ever made, Some Like It Hot, as well as several other classic comedy films, Tootsie, Mrs. Doubtfire and The Birdcage, and it has had a presence on TV, most notably with the 1980 series Bosom Buddies starring Tom Hanks, and Saturday Night Live where male cast members regularly impersonate female celebrities. And then there is the British school of comedy with Monty Python and Benny Hill. ABC’s president Paul Lee brought up his heritage when explaining his decision to pick up Work It to critics at the summer TCA press tour. “I’m a Brit, it is in my contract that I have to do one cross-dressing show a year,” he said. “I was brought up on Monty Python. What can I do?” As a fellow European who also grew up with Monty Python and Benny Hill, I can actually relate to that...."

I can see the Brit excuse, but it's really awful, if you're going to indulge in argument by listmaking like that, to leave out the most prominent — in more ways than one — cross-dresser in the history of television, the man who was called Mr. Television, Milton Berle.

Here's a great clip of Berle in drag — in a guest spot on Lucille Ball's show.  (If you've only got 2 seconds to spare, click here.)



By the way, what a concentration of comic acting in that 5-minute clip, from everybody involved, including Desi Arnaz, who, if he showed up on TV today, would probably elicit criticism from some dignity-protecting group that doesn't care whether or not comedy has room to breathe.

"We use a lot of rocks in our landscaping... Every time we take a trip, I'm somehow able to take a rock home in my suitcase."

Okay... but I remember when Lucille Ball did that in "The Long, Long Trailer." It was very disturbing!

"I didn't mean to lie to you, [R]icky. But they mean so much to me! [R]icky, stop it!"

"Do you realize she could have killed the 2 of us? She and her rocks and her raspberry jam!"

(Harrowing driving scene at the second link, and if you keep watching, you'll end up with hot Lucy-and-Ricky sex symbolized by the flapping of the trailer door.)

Is it possible that there will be "a comeback of 'The Comeback'" — my all-time favorite TV comedy?

The AV Club asks the wonderful Lisa Kudrow:

Well, you know… Yes. “Tentative” is the operative word, though. But Michael [Patrick King] and I can’t help but talk about it whenever we’re together, and as I said, we keep coming up with “Wouldn’t it be funny if she was doing this, this, and this” ideas. And then at some point, we start wondering, “Is it a special that we ask to do? Or is it a limited series that we ask to do? What are we asking to do? What is it that we want to do? What do we have time for? What would you be willing to do?” So that just keeps going back and forth. And Michael truly has no time right now, that’s for sure. 

If you don't know "The Comeback," it was a 1-season HBO show that, I guess, was a little challenging for viewers. Some say people had trouble watching the main character get into humiliating difficulties. (Were we more sophisticated back in the 1950s when we had great fun watching Lucille Ball get stymied at every turn?)

Here, buy every episode of "The Comeback" ever made (so far!), and either love it or complain to me about why it really did deserve to be cancelled.

Speaking of continuing great Lisa Kudrow things, the linked article also says there's a possibility of a sequel to "Romy and Michele's High School Reunion."