He'd write an "event score" -- "printed on a small white card that he would mail to friends.... Mr. Brecht said that he did not care if any of his event scores were realized and that he did not think that there was a correct way to perform one."
Back in the 1950s, when Jackson Pollock was painting (doing things with paint), you had to ask yourself: What is the next step? First, Brecht tried painting "using chance operations and materials like bed sheets, ink and marbles." But it's better -- is it not? -- to rid yourself of the paint altogether, and then rid yourself of the work itself: Just write a brief description on a card.
In those days, there were no blogs. But it was like blogging, no? A few words on a blank white rectangle are enough.
And yet, there are all those serious people in that video clip with their microphones and watering cans. Are they any less annoying than mimes? And if you're going to perform this minimal, quiet music, you've got to find a space that isn't horrifically overwhelmed with the mechanical noise of a forced air system that drowns out the dripping.
But the dripping goes on whether you hear it or not, and now the last drop has dribbled out for George Brecht, the Fluxus artist.
Dead at age 82.
Monday, December 15, 2008
George Brecht composed "Drip Music": "a source of water and an empty vessel are arranged so that the water falls into the vessel."
Labels:
art,
conceptual art,
death,
Fluxus,
George Brecht,
Jackson Pollock,
mimes,
music
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