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Wednesday, November 25, 2009

That solemn editorial about global warming looks pretty silly...

... with all those comments about Climategate.

Newspapers just aren't what they used to be, when the readers can instantly talk back.

"Despite the fact that Mr. Sparkman was found hands, feet and mouth bound with duct tape, rope around his neck and the word 'FED' written on his chest..."

"... analysis of the evidence determined Mr. Sparkman's death was self-inflicted."

Was he trying to jerk us all around? The official conclusion is that it was for the insurance, not for fame and deception.

Charis Wilson, model and muse, 1914-2009.

You know her as:



The model and muse to Edward Weston:
"He had been the master of the close-up of body parts," Ollman said of Weston. In "Dunes, Oceano," however, "the model is moving in space, there is no horizon line. It was a breakthrough for him, largely because of Charis' spontaneity. Her uninhibited style gave Weston a freedom that was vitalizing to him," [said Arthur Ollman, director of the School of Art, Design and Art History at San Diego State.]

Weston was aware of a change in his style. "The first nudes of C. were easily amongst the finest I had done, perhaps the finest," he wrote in his daybook in April 1934....

The 28-year age difference between Wilson and Weston gave their romance "a Bohemian, May to December quality," photography dealer and historian Stephen White said in a 2007 interview with the Los Angeles Times. "Charis brought an essence of youth, when Weston was starting to wear out."

Soon after they met in Carmel in 1934, she began to pour her writing talents into advancing his career. Along with editing his articles for Camera Craft magazine, she wrote some of them under his name, she recalled in her memoir. "My goal was to make the articles sound exactly like Edward Weston," Wilson wrote.

"She did write under his name," Ollman confirmed. "It was easy for her and slavishly hard for him."
Ah, so it's one of those stories about a husband and wife. And then it was one of these stories: "She fell from her place as 'exalted goddess to the more human, unenviable and inglorious role of helpmate and art wife." Oh? Is it so unenviable to be a "helpmate"? Would you want to be a helpmate to a great artist whom you dearly loved? And what exactly does an "art wife" do? Are we supposed to have a stereotype in our heads about that? I suppose — I would suppose if I were writing a roman à clef — that she thought of herself as a great artist and found the subordination irksome. Look at the photograph again and see the subordination.

Wilson left Weston in 1945. The following year she married a labor activist. First a photographer and then a labor activist. You're left to imagine the precise nature of Wilson's taste in men.

"My hero is Gandhi. I'm an extremely non-violent, peaceful person and a vegetarian. I don't even kill bugs."

Protests Matthew Roberts, 41, who has recently learned that his father is Charles Manson. He's considering calling the murderer who raped his mother:
"If I did talk to Charlie on the phone, I would say, 'I truly understand what it's like to be you, more than anyone could ever imagine on so many levels.'”
On so many levels...

"We apologize if you've had an upsetting experience using Google."

But Google will not take down an offensive, racist image of Michelle Obama that comes up first when you do an image search on her name.

UPDATE: The blog that hosted the image has removed it.

At the Gingko Nightclub...

DSC05493

...it's the middle of the night. Let's play.

Tuesday, November 24, 2009

"At a state dinner in 1996, low decolletage wasn't merely sexy or daring; it was a political trap for a president known to have a roving eye."

"Clinton was hosting a state dinner for Italian President Oscar Luigi Scalfaro. The voluptuous Italian actress Sophia Loren was a guest and she arrived with her magnificent cleavage framed in an ivory evening gown by Giorgio Armani. As she made her way through the receiving line, media observers paid close attention to Clinton's gaze, waiting to see whether it would waver -- even the slightest -- from where it belonged to where it was most emphatically being drawn. Reports indicated that Clinton maintained steely eye contact. But no guest should really put the leader of the free world to such a test of willpower."

So putting her breasts right under President Clinton's eyes was, in Robin Givhan's opinion, a deliberate political trap.

It was so out there when Loren did it. (Photo at the link.) Is it okay to talk about it? Is it okay to talk about the other women who have followed in Loren's bra cups footsteps? Thanks to Robin Givhan for giving me new confidence in straight talk about breasts and politics.