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Thursday, October 1, 2009

"[Artist Richard] Prince wasn't inviting us to ogle [10-year-old Brooke Shields naked], but to see exploitation as symptomatic of what was happening in America in the mink-coated Reagan years."

Prince is an artist, excoriating "Spiritual America," and what is bad is not his display of a naked child, but... Reagan!

More on the Tate Museum controversy and British pornography laws, here:
A Metropolitan Police spokesman said: "Officers from the Obscene Publications Unit met with staff at the Tate Modern regarding an image. The officers have specialist experience in this field and are keen to work with gallery management to ensure that they do not inadvertently break the law or cause any offence to their visitors."

Prince's work is a photograph of a photograph. The original was taken by Garry Gross, a US photographer, in 1975. It was commissioned by Shields' mother, who was intent on turning her little girl into a child star and signed away the rights. The picture was later featured in a Playboy Press publication, and Gross planned to turn it into a poster....

In 1981, Shields made an unsuccessful attempt to buy back the negatives. A judge ruled that she was a "hapless victim of a contract... to which two grasping adults bound her". The legal battle caught the eye of Prince, and he describes Spiritual America as a commentary on Shields as an "abstract entity."
An abstract entity.

See? We have another morally superior artist man, claiming a privilege to use a young girl, because his use is injected with artistic sensibility. We should defer to the artist, who is here to critique us, the common people. Our attempts to do the same things he does would deserve punishment, because we would do them in our commonness, and that would be vulgar. Can't you see that's what Prince is revealing to you? Bow down, prole!

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