Today, I see — via Boing Boing — Rick Poyner's "In Memoriam" to his manual typewriter:
... I'm struck by how powerfully its form and image embody and express the idea of writing, as does almost any typewriter. Like the telephone at an earlier phase in its development when it still had a distinct earpiece and mouthpiece at either end of a handle, the fully evolved typewriter is a 20th-century industrial archetype. It feels inevitable, almost elemental, like one of those object types, such as a chair or a fork, that simply had to exist in this universe of forms. Even now (but for how much longer?) a typewriter is the icon to show if you want to convey the idea of a dedicated literary life....Actually, I remember, in the early '80s, when secretaries had big computer-looking things on their desks that were called "word processors"... but I know what you mean....
The point, of course, is that the computer has never been a dedicated writing tool — writing is the least of it — and everyone uses them....
They are somehow both more marvellous and more ordinary. That's why there isn't a shred of romance in the idea of a writer and his or her personal computer.Not a shred of romance? I've seen an incredibly romantic photograph of a man with a laptop — a laptop called "Cupid’s bow" — under his arm.
So what are your typewriter memories? Romantic stuff, please. Anything equally romantic with computers? Obviously, you can use a computer to get to real, in-the-flesh human beings, and you can do it quickly... like: right now. With the typewriter, it will be you and the inanimate object for a long time, and that, perhaps, is why we see the romance in the thing. The typewriter is as romantic as a lonely room.
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