"When you cruise around the country for your show 'Diners, Drive-Ins and Dives,' rasping out slangy odes to the unfancy places where Americans like to get down and greasy, do you really mean it? Or is it all an act?"
3 of the many questions in Pete Wells's now-legendary, all-questions review of Guy's American Kitchen, one of 6 "Must-reads of 2012" in the "food" category, according to the Columbia Journalism Review. Wait — actually, there's one non-question, the last sentence: "Thanks."
Also on the enticing list:
"How the Chicken Conquered the World." ("How did the chicken achieve such cultural and culinary dominance? It is all the more surprising in light of the belief by many archaeologists that chickens were first domesticated not for eating but for cockfighting.")
"Here Are Our Five Favorite Food-Cliché Sentences." ("The velvety-smooth bisque's unctuous mouthfeel is lobster-tastic with its toothsome tidbits. To. Die. For.") I prefer the article upon which this writing game is based: a list of food-writing clichés. ("Mouthfeel: The blow-job-iest of all food words.")
"An Oyster in the Storm." ("[O]ysters... once protected New Yorkers from storm surges [and] played a critical role in stabilizing the shoreline from Washington to Boston.")
"I Was a Cookbook Ghostwriter." ("I know a lot of chefs who write their first book themselves. Then they say "I’ll never do that again." It’s just not worth it.")
"The Twee Party." ("Is artisanal Brooklyn a step forward for food or a sign of the apocalypse?")(By the way: 1. "artisan" is on that banned clichés list noted above, and 2. art is anal.)
Tuesday, December 25, 2012
"Has anyone ever told you that your high-wattage passion for no-collar American food makes you television’s answer to Calvin Trillin, if Mr. Trillin bleached his hair, drove a Camaro and drank Boozy Creamsicles?"
Labels:
art,
chickens,
food,
journalism,
metaphor,
oysters,
restaurants,
writing
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