During Fashion Week in New York a catwalk show by four "Project Runway" designers was such a hot ticket that more than one industry pro seemed miffed at having to miss the presentation because it clashed with the Ralph Lauren show. "What was Ralph thinking?" asked an editor from Interview magazine.Nice article, though it mostly describes the show for people who don't watch it or who still don't get why America loves reality TV. I'd like to have more of the story I can't get to on my own: the details of what individual fashion industry people think of the show. Let's hear their jealous critiques!
Such is the power of the show that even the lifeless host, Heidi Klum, who was once described by a former modeling agent as having "the personality of a German sausage," has become a celebrity, right down to her signature kiss-off, "auf wiedersehen" (because, as we know, German is the language of high fashion)....
Just as "American Idol" aspirants are forced to cover tunes in wildly varying genres — a hillbilly trying his hand at Donna Summer — "Project Runway" contestants also have to be able to juggle everything from designing high-concept lingerie (Mr. Rice's take was based on lederhosen) to an outfit for an Olympic figure skater (Mr. Rice ruffled feathers with a frothy confection likened to a Thanksgiving turkey).
These kids have to be able to cut it. And pattern-make it. Then stitch it.
And especially dish it. At the heart of the show's appeal is the campy dramedy that ensues when already brittle personalities, possessed of the ego and drive that drew them to the fashion world in the first place, are thrown together on a deadline. Viewers are transfixed not only by watching the contestants cut up their favorite outfits to make a dress, but also by watching them fashion their personas.
Thursday, March 2, 2006
The NYT does "Project Runway."
The NYT has a big article on "Project Runway":
Labels:
"Project Runway",
American Idol,
hillbilly,
Olympics
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