The L.A. Times reports:“Over The River” comprises eight huge, silvery fabric panels spanning 5.9 miles directly above the Arkansas River where it flows through Bighorn Sheep Canyon and the Arkansas Headwaters Recreation Area....
The project’s hefty environmental impact study showed that threats to native wildlife were many and complex. The huge steel cables required to hang the fabric would stretch from bank to bank, for instance, requiring heavy construction to install. Several mitigation measures were required to protect bighorn sheep, which live and breed in the canyon (hence the name), including construction restrictions from April 15 to June 30 every year. Also, OTR agreed to build habitat improvements and water developments to allow the sheep access to water and new habitat, and to create a fund that would continue to look after the sheep for years after the project is dismantled.
Years ago, I hated Christo. I thought of him as arrogant and elitist, but I don't think that anymore. As
I said back when Christo put up "The Gates" in Central Park:
I must admit that's what I thought of Christo for decades, as I read about his projects in various news reports. But I completely changed my mind about him when I watched the Maysles Brothers documentaries ("5 Films About Christo and Jeanne-Claude" ...). I was won over and came to believe that Christo is an art saint.
I think part of the art is the interaction with the local people and the authorities. I think of it as including a performance art component that is about law.
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