The Smithsonian sent a curator to Madison to select protests signs "to document, in general, occasions when American citizens interact with their government and petition... for change."

Barbara Clark Smith "chose one that called on President Barack Obama to join the protest."

Incredible. It has to be about Obama! There were almost no signs bearing the name Obama, and I hear no talk or chants about Obama.

Smith collected a lot of other signs too, and she looked for counter-protest signs. She says she's collected signs at "many tea party events, but we don't at this moment have posters from Madison from the pro-Walker people." [ADDED: Perhaps it's because she's looking in the stacks of signs that had been taped to the walls of the Capitol. Only anti-Walkerites did that. Pro-Walker people showed up, but they took their trash out when they left.]

Here's a second link from the same paper (the Milwaukee Journal Sentinel) asking "Where are all the great Republican artists?"

The organizers of "SolidARTity," an exhibit that presents a breadth of creative expression that's emerged in Madison in recent days, also wanted to include political art from the right, but couldn't find any to present.

The Project Lodge, which organized the show, put out a call to artists and got no submissions from artists aligned with Gov. Scott Walker or the Republicans. In fairness, SolidARTity was more than an art show, it's affiliated with a movement of artists that mobilized to protest the budget-repair bill, so perhaps right leaning aritsts didn't want to participate with this group.

Well, at least the columnist  — Mary Louise Schumacher  — realized how stupid her question was, but it didn't stop her from writing it up as a column. Why would any serious artist — of any political party — involve himself in projects with grade-school-group-project names like SolidARTity and The Project Lodge? I've done some art in my time, and my inclination would be to run like hell from something called The Project Lodge. And as for "SolidARTity" — whoever came up with that not only lacks a decent resistance to cutesiness, he/she also has no ear for language. I mean — get a clue! — you just put the "titty" in "solidarity."

Schumacher continues:

In 2008, when I wrote about the nationwide movement of artists who were creating work in support of Barack Obama's campaign for president, I did my best to track down artists who were engaged on the right. This, too, was pretty nonexistent.

Because, you see, if there were Republican artists, they'd be doing art about Republican politics! Here's another clue: Mixing politics and art makes bad art. And Republican artists are less likely to fall into the pit of badness that is political art, because Republicans, generally, want less government. Democrats are the ones who want government getting into all sorts of places where it doesn't belong, so naturally it gets into their art too.

And, may I remind you: To be a great artist is inherently right wing.