"No fad was too small. In 1772, when women started bleaching their hands with arsenic to make their skin a fashionable porcelain tone, Wedgwood immediately advertised black teapots: against this background, hands looked even whiter. No cause was too great, either: the company produced emancipation medallions asking, 'Am I not a man and a brother?' that were worn as buttons and bracelets."
Judith Flanders looks at the downfall of a company that what was once was an innovative marketer.
Saturday, January 10, 2009
"Selling was an intellectual pleasure, an art form" for Josiah Wedgwood.
Labels:
advertising,
aesthetics,
commerce,
pottery,
slavery
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