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Friday, May 26, 2006

"The 50 greatest conservative rock songs."

John J. Miller at the National Review has a list. I was surprised to see "Gloria" at number six, and I was starting to think over the lyrics and come up with a theory. Like to tell ya about my baby/You know she comes around/She about five feet four/A-from her head to the ground... Nothing was clicking. Is it the interest in correct spelling? G-L-O-R-I-A. Then I saw it was "Gloria" by U2, a completely different composition. Gloria...in te domine/Gloria...exultate/Oh Lord, if I had anything/Anything at all/I'd give it to you... Quite different. In Van Morrison's song, Gloria was giving it all to him.

Anyway, what does Miller count as conservative:
The lyrics must convey a conservative idea or sentiment, such as skepticism of government or support for traditional values.
Skepticism of government? Surely, that's grasping at a lot of stuff that wasn't meant as conservative. But what the hell? Conservatives can enjoy it. Most mentions of the government in rock songs are skeptical of it. Can you even think of any pro-government rock songs? I mean where it's not sarcasm or the voice of a character you're not supposed to believe.

Well, go read the list. I think in a lot of cases the song leaves room to argue whether the message is actually conservative. Rock song lyrics can be blunt and plain -- when they are about sex, like Van Morrison's "Gloria" -- but they're usually fuzzy and ambiguous when they get to political and social topics -- especially if they're any good. That makes the more of a Rorschach test.

Miller's quite keen on the notion that The Kinks are conservative. (I should say konservative.) I think what he likes to read as conservative is really an artist's aversion to politics -- you know, that thing artists do: standing at a distance, observing, alternating between bemusement and critiquing human character.

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