It's been death-defying so far, but not injury-defying. When you're watching a movie, you know that if somebody died making that stunt, they wouldn't show it. Remember Brandon Lee?
The mysterious death of Bruce Lee's son was sure to achieve a cult status all its own. The story goes that actor Brandon Lee was shot on the set of his final film, The Crow, in the middle of filming a scene; and that his death was left in the final cut of the movie....But if someone gets killed in a live-theater stunt, the audience witnesses the death. It's supposed to be part of the entertainment that the stunts look risky, but if you are not confident that the actors and stuntmen are perfectly safe, deriving pleasure from watching that feels wrong — or it should. And taking a child to the show becomes utterly unacceptable.
Brandon Lee was indeed shot while filming. It was a tragic accident involving a gun firing blanks. A fragment of a dummy bullet, from a previous scene, was lodged in the gun and fired into Lee, fatally wounding him. Some mystery remains surrounding the film of the incident, with some saying it was destroyed, and others saying it was confiscated by police. It was not used in the movie. The scene was rewritten and reshot using a double, and the manner of his death is different than what happened in the fatal accident.
Which raises other questions: Why are Broadway shows aimed at children in the first place? Why did they move into the special-effects/adolescent domain that movies dominate? Remember when theater was aimed at adults, and the more snobbish adults would look down on things like "Carousel" and "South Pacific" as too middle-brow? Now, the heights of "Carousel" and "South Pacific" seem unreachable — except in revivals of "Carousel" and "South Pacific."
Broadway, it's all wreckage.
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