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Wednesday, August 25, 2010

"Kim Jong Il, the supreme commander of the Korean People’s Army, deeply concerned over the soldiers’ diet."

The title of a painting from an exhibit called "“Flowers for Kim Il Sung: Art and Architecture from the Democratic People’s Republic of Korea.... in Vienna.
By presenting it uncritically, the Vienna museum is subtly legitimizing the world’s cruelest regime....

Like most socialist realism, this “art” is devoid of complexity. Whatever talents the North Korean painters may possess are tragically subordinated to Stalinist politics and stultifying adulation of the Dear Leader. The descriptions of the artwork underline its utterly bland, primitive, and unenlightening character: “The leaders’ closeness to the people is repeatedly emphasized,” reads the press release. “Red, internationally recognized as being symbolic of socialism, is employed most frequently.” My tour guide’s attempt to distinguish the works from those produced in other Communist societies by labeling it “Idealistic Realism” only underscored the lengths to which the MAK has had to go in order to justify the exhibition....


Could one imagine, in the 1930s, an English gallery featuring Nazi art in such undiscerning fashion?...
What about a Viennese gallery? You'd think Austria would be more sensitive.... about its own reputation.

The article, by James Kirchick, ends with this great George Orwell quote: "All art is propaganda. On the other hand, not all propaganda is art." (By the way, Orwell is calling himself a propagandist there, is he not?)

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