And here's the direct link to the Bawer piece:
In those first years after Sexual Personae, Paglia seemed to turn up everyplace. By 1992 she had churned out enough irreverent, entertaining essays for a sizable collection, Sex, Art, and American Culture. Two years later along came another grab-bag, Vamps and Tramps. For a while, the pieces just seemed to pour out of her.Here's my reaction to the Gaga goo goo.
But Paglia was too hot not to cool down. As the years went by, her output declined. And what she did turn out seemed increasingly familiar. She was repeating herself. What had once been provocative was now stale. And her determination to inject herself and her personal history into everything she wrote grew tiresome....
And then came 9/11.... On this all-important subject, Paglia was all but silent....
For some years now, Paglia’s chief forum has been a monthly column on the salon.com website in which she’s combined pop-culture commentary with political opinions. Though she continues to try to sound boldly irreverent, her schtick is old, her voice is tired, and her politics are more consistent with the official liberal line than any Paglia enthusiast of twenty years ago would ever have expected...
Then, on the Sunday before last, the London Times ran what seems to be the longest essay Paglia has published in years. It was touted by the newspaper as “explosive.” What was it about? Banning burkas? Suicide bombing? Female genital mutilation? No, it was about Lady Gaga.... her Lady Gaga piece accomplished was to affirm her irrelevance.
And here are: "My Dinner With Camille" ("I didn't know I was capable of stressing out such a big rockstar diva") and "Try to Survive a Tornado With a Post-Structuralist" (the blog post that stressed her out).
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