It is not sexist to have noticed that Sen. Hillary Clinton delivered her convention speech dressed in head-to-toe mango. Only an obstinately unaware person would have ignored this question: Senator, why are you dressed like a tropical fruit? One assumes it was to ensure an eye-catching photo for the history books and to underscore her "sisterhood of the traveling pantsuits" legacy.But what about the potential first ladies?
The first lady serves as a reflection of her husband's administration and of womanhood, and one suspects that when there is a first gentleman, he will bear the burden of epitomizing an ideal of manhood and will be forced to wrestle with accusations that he is too much of a metrosexual, a dandy, a he-man or a wimp. Almost certainly, we will obsess about his ties.I loved that dress. It is the most distinctive thing any political woman has worn this year. I read some bitching on the liberal blogs about how her outfit cost $300,000, but nearly all of that was the cost of some diamond jewelry. It wasn't a $300,000 dress. But you know, that dress was historically beautiful. And I suppose it's worth $300,000 now. The "off-the-shoulder, ink-blue velvet dinner dress that the Princess of Wales wore when she danced at the White House with John Travolta sold for $222,500" in 1997 (before the princess died).
When Cindy McCain made her first appearance at the Republican National Convention, she was wearing a buttercup-yellow shirt dress with a flipped-up collar by Seventh Avenue designer Oscar de la Renta. As is the current fashion, the dress looked as though the designer had found some inspiration in the early 1960s world of "Mad Men." It was feminine, reserved and lovely. Ballpark price for a de la Renta dress: $3,000.
De la Renta also designed the inaugural gowns worn by Hillary Clinton and Laura Bush and that cream-colored suit Laura Bush wore when she stood next to Cindy McCain at the convention, Givhan notes, pronouncing the Republicans "status quo." Meanwhile, when Michelle joined Barack Obama on the stage, she was "wearing a raspberry, lavender and black print silk dress by American designer Thakoon Panichgul," who is not a heavily established designer:
The dress, with its slim bodice and A-line skirt, came from his 2009 resort collection... [T]he Thakoon dress... was too informal and failed to reflect the significance of the occasion. And with that fabric belt hanging down the back, it resembled a child's special-occasion frock rather than something suitable for a sophisticated 44-year-old. The flats reinforced the tea-party aestheticOops. So we want change... but what kind of change? A change might be for the worse. There's a reason why the status quo is status quo.
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